Enhanced descriptions from Syndetics:

The wise and witty guide to researching and writing a thesis, by the bestselling author of The Name of the Rose -now published in English for the first time.

Learn the art of the thesis from a giant of Italian literature and philosophy-from choosing a topic to organizing a work schedule to writing the final draft.

By the time Umberto Eco published his best-selling novel The Name of the Rose , he was one of Italy's most celebrated intellectuals, a distinguished academic, and the author of influential works on semiotics. Some years before that, Eco published a little book for his students, in which he offered useful advice on all the steps involved in researching and writing a thesis. Since then, it has been translated into 17 languages-and is now for the first time presented in English.

Eco's approach is anything but dry and academic. He not only offers practical advice but also considers larger questions about the value of the thesis-writing exercise in six different parts:

. The Definition and Purpose of a Thesis
.Choosing the Topic
.Conducting the Research
.The Work Plan and the Index Cards
.Writing the Thesis
.The Final Draft

Eco advises students how to avoid "thesis neurosis" and he answers the important question "Must You Read Books?" He reminds students "You are not Proust" and "Write everything that comes into your head, but only in the first draft." Of course, there was no Internet in 1977, but Eco's index card research system offers important lessons about critical thinking and information curating for students of today who may be burdened by Big Data.

Irreverent and often hilarious, How to Write a Thesis is unlike any other writing manual and belongs on the bookshelves of students, teachers, writers, and Eco fans everywhere.

Table of contents provided by Syndetics

• Foreword (p. ix)
• Translators' Foreword (p. xv)
• Introduction to the Original 1977 Edition (p. xix)
• Introduction to the 1985 Edition (p. xxiii)
• 1 The Definition and Purpose of the Thesis
• 1.1 What Is a Thesis, and Why Is It Required? (p. 1)
• 1.2 For Whom Is This Book Written? (p. 4)
• 1.3 The Usefulness of a Thesis after Graduation (p. 5)
• 1.4 Four Obvious Rules for Choosing a Thesis Topic (p. 7)
• 2 Choosing the Topic
• 2.1 Monograph or Survey? (p. 9)
• 2.2 Historical or Theoretical? (p. 13)
• 2.3 Ancient or Contemporary? (p. 16)
• 2.4 How Long Does It Take to Write a Thesis? (p. 17)
• 2.5 Is It Necessary to Know Foreign Languages? (p. 22)
• 2.6 "Scientific" or Political? (p. 26)
• 2.6.1 What Does It Mean to Be Scientific? (p. 26)
• 2.6.2 Writing about Direct Social Experience (p. 32)
• 2.6.3 Treating a "Journalistic" Topic with Scientific Accuracy (p. 35)
• 2.7 How to Avoid Being Exploited by Your Advisor (p. 42)
• 3 Conducting Research
• 3.1 The Availability of Primary and Secondary Sources (p. 45)
• 3.1.1 What Are the Sources of a Scientific Work? (p. 45)
• 3.1.2 Direct and Indirect Sources (p. 50)
• 3.2 Bibliographical Research (p. 54)
• 3.2.1 How to Use the Library (p. 54)
• 3.2.2 Managing Your Sources with the Bibliographical Index Card File (p. 58)
• 3.2.3 Documentation Guidelines (p. 62)
• 3.2.4 An Experiment in the Library of Alessandria (p. 79)
• 3.2.5 Must You Read Books? If So, What Should You Read First? (p. 103)
• 4 The Work Plan and the Index Cards
• 4.1 The Table of Contents as a Working Hypothesis (p. 107)
• 4.2 Index Cards and Notes (p. 115)
• 4.2.1 Various Types of Index Cards and Their Purpose (p. 115)
• 4.2.2 Organizing the Primary Sources (p. 123)
• 4.2.3 The Importance of Readings Index Cards (p. 126)
• 4.2.4 Academic Humility (p. 142)
• 5 Writing the Thesis
• 5.1 The Audience (p. 145)
• 5.2 How to Write (p. 147)
• 5.3 Quotations (p. 156)
• 5.3.1 When and How to Quote: 10 Rules (p. 156)
• 5.3.2 Quotes, Paraphrases, and Plagiarism (p. 164)
• 5.4 Footnotes (p. 167)
• 5.4.1 The Purpose of Footnotes (p. 167)
• 5.4.2 The Notes and Bibliography System (p. 170)
• 5.4.3 The Author-Date System (p. 174)
• 5.5 Instructions, Traps, and Conventions (p. 179)
• 5.6 Academic Pride (p. 183)
• 6 The Final Draft
• 6.1 Formatting the Thesis (p. 186)
• 6.1.1 Margins and Spaces (p. 186)
• 6.1.2 Underlining and Capitalizing (p. 188)
• 6.1.3 Sections (p. 190)
• 6.1.4 Quotation Marks and Other Signs (p. 191)
• 6.1.5 Transliterations and Diacritics (p. 195)
• 6.1.6 Punctuation, Foreign Accents, and Abbreviations (p. 199)
• 6.1.7 Some Miscellaneous Advice (p. 204)
• 6.2 The Final Bibliography (p. 208)
• 6.3 The Appendices (p. 212)
• 6.4 The Table of Contents (p. 215)
• 7 Conclusions (p. 221)
• Notes (p. 225)

Reviews provided by Syndetics

Publishers Weekly Review

Although first published in Italian in 1977, before Eco (The Name of the Rose) became an internationally renowned novelist, this guide to writing a thesis-originally aimed at Italian humanities undergraduates-brims with practical advice useful for writing research papers. Stating up front that "the topic is secondary to the research method and the actual experience of writing a thesis," Eco walks the reader through the process of starting and completing a thesis, including selecting a topic, conducting research from primary and secondary sources, compiling a reference bibliography, and drafting and revising the final paper. He doles out his dollops of advice in chapters whose numbered sections and subsections themselves approximate the structure of a thesis, and he often enlivens his potentially dry subject matter with impish humor-for example, Eco describes photocopies that students make but fail to read as "a neocapitalism of information." His advocacy of index card files to organize data seems quaintly nostalgic in the age of laptops and online databases, but it only underscores the importance of applying these more sophisticated tools to achieve the thoroughness of the results that he advocates. (Mar.) © Copyright PWxyz, LLC. All rights reserved.

Author notes provided by Syndetics

Umberto Eco was born in Alessandria, Italy on January 5, 1932. He received a doctorate of philosophy from the University of Turin in 1954. His first book, Il Problema Estetico in San Tommaso, was an extension of his doctoral thesis on St. Thomas Aquinas and was published in 1956. His first novel, The Name of the Rose, was published in 1980 and won the Premio Strega and the Premio Anghiar awards in 1981. In 1986, it was adapted into a movie starring Sean Connery. His other works include Foucault's Pendulum, The Island of the Day Before, Baudolino, The Prague Cemetery, and Numero Zero. He also wrote children's books and more than 20 nonfiction books including Serendipities: Language and Lunacy. He taught philosophy and then semiotics at the University of Bologna. He also wrote weekly columns on popular culture and politics for L'Espresso. He died from cancer on February 19, 2016 at the age of 84.

(Bowker Author Biography)