Made in Italy : rethinking a century of Italian design / edited by Grace Lees-Maffei and Kjetil Fallan.
Contributor(s): Lees-Maffei, Gracey [editor of compilation.]
| Fallan, Kjetil [editor of compilation.]
.
Material type:
BookPublisher: London : Bloomsbury, 2014Description: xi, 325 pages : illustrations (some color) ; 26 cm.Content type: text | still image Media type: unmediated Carrier type: volumeISBN: 9780857853899 (paperback); 0857853899 (paperback); 9780857853899 (hardback); 0857853899 (hardback); 9780857853882; 0857853880.Uniform titles: Made in Italy (2014) Subject(s): Design -- Social aspects -- Italy | Design -- Italy -- History -- 20th century| Item type | Current library | Call number | Copy number | Status | Barcode | |
|---|---|---|---|---|---|---|
| General lending | MTU Crawford College of Art and Design Library Lending | 745.20945 (Browse shelf(Opens below)) | 1 | Available | 00229775 |
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Enhanced descriptions from Syndetics:
Goods made or designed in Italy enjoy a profile which far outstrips the country's modest manufacturing output. Italy's glorious design heritage and reputation for style and innovation has 'added value' to products made in Italy. Since 1945, Italian design has commanded an increasing amount of attention from design journalists, critics and consumers. But is Italian design a victim of its own celebrity? Made in Italy brings together leading design historians to explore this question, discussing both the history and significance of design from Italy and its international influence. Addressing a wide range of Italian design fields, including car design, graphic design, industrial and interior design and ceramics, well-known designers such as Alberto Rosselli and Ettore Sottsass, Jr. and iconic brands such as Olivetti, Vespa and Alessi, the book explores the historical, cultural and social influences that shaped Italian design, and how these iconic designs have contributed to the modern canon of Italian-inspired goods.
Includes bibliographical references and index.
Introduction : The history of Italian design / Kjetil Fallan and Grace Lees-Maffei -- A historiography of Italian design / Maddalena Dalla Mura and Carlo Vinti -- Ettore Sottsass and critical design in Italy, 1965-1985 / Penny Sparke -- Domes to Domus (or how Roberto Mango brought the geodisic dome to the home of Italian design) / Jeffrey T. Schnapp -- Tomás Maldonado and the impact of the Hochschule für Gestaltung Ulm in Italy / Raimonda Riccini -- Craft, industry and art : ISIA (1922-1943) and the roots of Italian design education / Elena Dellapiana and Daniela N. Prina -- Manufactured identities : ceramics and the making of (Made in) Italy / Lisa Hockemeyer -- Crafting a design counterculture : the pastoral and the primitive in Italian radical design, 1972-1976 / Catharine Rossi -- Private exhibitions : galleries, art and interior design, 1920-1960 / Imma Forino -- Exhibiting exhibitions : designing and displaying fascism / Vanessa Rocco -- This way to the exit : the re-writing of the city through graphic design, 1964-1989 / Gabriele Oropallo -- Designing a new society : a social history of Italian car design / Federico Paolini -- Espresso by design : the creation of the Italian coffee machine / Jonathan Morris -- Italian fashion : the metamorphosis of a cultural industry / Simona Segre Reinach -- Annus mirabilis : 1954, Alberto Rosselli and the institutionalisation of design mediation / Kjetil Fallan -- A vehicle for 'good Italians' : user design and the Vespa clubs in Italy / Thomas Brandt -- 'Made' in England? The mediation of Alessi S.p.A. / Grace Lees-Maffei.
Goods made or designed in Italy enjoy a disproportionately high profile, even though, in terms of global manufacturing, Italy's output is relatively modest. Italy's glorious design heritage and reputation for innovation mean that goods 'Made in Italy', and/or designed in Italy, carry added value. Since 1945, Italian design has commanded an increasing amount of attention from design journalists, critics and consumers. But is Italian design a victim of its own celebrity? Made In Italy is the first critical study of Italian design to explore this question from the perspective of scholarly investigative chapters, analysing the significance of design from Italy and how its influence upon international design and consumerism has become so renowned and inflated by various media and design criticism. Using examples from a wide range of Italian design - from the designers themselves such as Gio Ponti and Andrea Branzi, to the urban landscape of the country itself, the book explores the historical, cultural and social influences that dictated design in Italy, and how these iconic designs have shaped and contributed to the modern canon of Italian inspired goods-- Provided by publisher.
Reviews provided by Syndetics
CHOICE Review
A collection of essays edited by Lees-Maffei (Univ. of Hertfordshire, UK) and Fallan (Univ. of Oslo, Norway), Made in Italy investigates the celebrated history of industrial design in modern Italy. It examines what makes an object Italian in a world characterized by increasingly interconnected production, marketing, and consumption networks. In their introduction, the editors are careful not to overstate the homogeneity of Italian design because it consists of "a multiplicity of subjects, making it difficult to define as a uniform, centralized, organized system." Of the 15 contributors represented, several use Lees-Maffei's "production-consumption-mediation paradigm," a holistic and inclusive analytical method interpreting how products' designers, manufacturers, and user groups interrelate to shape the meanings of objects. Lees-Maffei also stresses study of those who mediate how products are viewed, bought, and used, including journalists, museum curators, exhibition designers, and marketing people. The book does several things well: it describes the complex synthesis of regional, national, and international influences that have combined to affect how Italian design is understood; brings attention to the influence of craft on Italian design history; and offers an extensive, up-to-date bibliography. Summing Up: Recommended. Lower-division undergraduates and above; general readers. --Alan Richard Michelson, University of Washington LibrariesAuthor notes provided by Syndetics
Grace Lees-Maffei is reader in Design History and TVAD Research Group co-ordinator at the University of Hertfordshire and managing editor of the Journal of Design History. She is the editor of Writing Design: Words and Objects (Bloomsbury Academic, 2011) and Iconic Designs: 50 Stories about 50 Things (Bloomsbury Academic, 2014), and co-editor of The Design History Reader (Bloomsbury Academic, 2010). She is also author of Design at Home (2013).
Kjetil Fallan is associate professor of Design History at the University of Oslo. He is the author of Design History: Understanding Theory and Method (Bloomsbury Academic, 2010) and the editor of Scandinavian Design: Alternative Histories (Bloomsbury Academic, 2012) and is also an editor of the Journal of Design History.