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Seduced by art : photography past and present / Hope Kingsley ; with contributions by Christopher Riopelle.

By: Kingsley, Hope [author.].
Contributor(s): Riopelle, Christopher [author.] | National Gallery (Great Britain) [host institution.] | CaixaForum (Barcelona, Spain) [host institution.] | CaixaForum (Madrid, Spain) [host institution.].
Material type: materialTypeLabelBookPublisher: London : National Gallery, 2012Description: 215 pages : illustrations ; 28 cm.Content type: text | still image Media type: unmediated Carrier type: volumeISBN: 9781857095456 (hardback); 1857095456 (hardback); 9781857095685 (paperback); 1857095685 (paperback).Other title: Photography past and present.Subject(s): Photography, Artistic -- Exhibitions | Art and photography -- ExhibitionsDDC classification: 779
Contents:
Photography and the art of the past -- Interview Maisie Broadhead -- Expression and memory--portrait photographs -- Interview Tina Barney -- Interview Richard Learoyd -- The divine ideal?--Photographing the body -- Interview Rineke Dijkstra -- Studies of time and beauty--Still-life photography -- Interview Sarah Jones -- Wild poetry--Seascapes and landscapes -- Interview Richard Billingham -- Afterword.
Summary: "Today's photography is part of our own cultural moment, but it also arises from artistic traditions of the past. Seduced by Art looks at the effects of art and its history on the creation of photographs, tracing continuities in aims, visual style, and technical experimentation. This sumptuous book shows how photographers such as Julia Margaret Cameron sought to elevate the status of their work by referencing Old Masters. Similarly, contemporary practitioners look to their photographic predecessors, as well as art history, for inspiration. Among the many photographers featured are Ori Gersht, Luc Delahaye, Thomas Struth, Tom Hunter, and Helen Chadwick, and paintings from Caravaggio, Zurbarâan, Delacroix, Ingres, Constable, and others. Each chapter takes a genre--portraiture, the nude, still life, and landscape--and discusses the challenges that each poses for photographers. Interviews with Tina Barney, Rineke Dijkstra, Richard Billingham, Richard Learoyd, Sarah Jones, and Maisie Maud Broadhead focus in-depth on contemporary working practices."-- Publisher's website.
Holdings
Item type Current library Call number Copy number Status Barcode
General lending MTU Crawford College of Art and Design Library Lending 779 (Browse shelf(Opens below)) 1 Available 00229797
Total holds: 0

Enhanced descriptions from Syndetics:

Today's photography is part of our own cultural moment, but it also arises from artistic traditions of the past. Seduced by Art looks at the effects of art and its history on the creation of photographs, tracing continuities in aims, visual style, and technical experimentation.

This sumptuous book shows how photographers such as Julia Margaret Cameron sought to elevate the status of their work by referencing Old Masters. Similarly, contemporary practitioners look to their photographic predecessors, as well as art history, for inspiration. Among the many photographers featured are Ori Gersht, Luc Delahaye, Thomas Struth, Tom Hunter, and Helen Chadwick, and paintings from Caravaggio, Zurbarán, Delacroix, Ingres, Constable, and others.

Each chapter takes a genre--portraiture, the nude, still life, and landscape--and discusses the challenges that each poses for photographers. Interviews with Tina Barney, Rineke Dijkstra, Richard Billingham, Richard Learoyd, Sarah Jones, and Maisie Maud Broadhead focus in-depth on contemporary working practices.





Published by National Gallery Company/Distributed by Yale University Press



Exhibition Schedule:

The National Gallery, London (10/31/12-01/20/13)

Caixa Forum Barcelona (02/21/13-05/19/13)

Caixa Forum Madrid (06/18/13-09/15/13)

Published on the occasion of an exhibition held at the National Gallery, London, Oct. 31, 2012-Jan. 20, 2013, the CaixaForum Barcelona, Feb. 21-May 19, 2013 and at the CaixaForum Madrid, June 19-Sept. 15, 2013.

Includes bibliographical references (pages 195-197) and index.

Photography and the art of the past -- Interview Maisie Broadhead -- Expression and memory--portrait photographs -- Interview Tina Barney -- Interview Richard Learoyd -- The divine ideal?--Photographing the body -- Interview Rineke Dijkstra -- Studies of time and beauty--Still-life photography -- Interview Sarah Jones -- Wild poetry--Seascapes and landscapes -- Interview Richard Billingham -- Afterword.

"Today's photography is part of our own cultural moment, but it also arises from artistic traditions of the past. Seduced by Art looks at the effects of art and its history on the creation of photographs, tracing continuities in aims, visual style, and technical experimentation. This sumptuous book shows how photographers such as Julia Margaret Cameron sought to elevate the status of their work by referencing Old Masters. Similarly, contemporary practitioners look to their photographic predecessors, as well as art history, for inspiration. Among the many photographers featured are Ori Gersht, Luc Delahaye, Thomas Struth, Tom Hunter, and Helen Chadwick, and paintings from Caravaggio, Zurbarâan, Delacroix, Ingres, Constable, and others. Each chapter takes a genre--portraiture, the nude, still life, and landscape--and discusses the challenges that each poses for photographers. Interviews with Tina Barney, Rineke Dijkstra, Richard Billingham, Richard Learoyd, Sarah Jones, and Maisie Maud Broadhead focus in-depth on contemporary working practices."-- Publisher's website.

Reviews provided by Syndetics

CHOICE Review

This catalogue for the first exhibition of photographs at London's National Gallery, curated by Kingsley (Wilson Centre for Photography), brings together works by historical and contemporary photographers with Old Master paintings. An introduction establishes the mutual interaction between photography and painting in the 19th century; following that, the book is organized into sections, including "Portraits," "Photographing the Body," "Still Life," and "Seascapes and Landscapes." An interview with a contemporary photographer follows each. All reproductions are in color; many of the paintings are from the National Gallery and photographs from the Wilson Centre. All the usual names from the 19th century are here: Cameron, Hill and Adamson, Talbot, and Rejlander. Contemporary photographers include Tina Barney, Helen Chadwick, Rineke Dijkstra, Richard Learoyd, and Jeff Wall. Each comparison is discussed in detail. This is not a pioneering example of new scholarship; many relevant titles have been published over the years. Though this exercise is interesting, especially in terms of the contemporary photographers, one wonders whether the National Gallery would have been better served with a survey of outstanding photographs, as at the Royal Academy in 1989 (The Art of Photography, 1839-1989, edited by Mike Weaver, CH, Oct'89, 27-0756). Summing Up: Recommended. Upper-level undergraduates through researchers/faculty; general readers. P. C. Bunnell emeritus, Princeton University

Author notes provided by Syndetics

Hope Kingsley is curator for education and collections at the Wilson Centre for Photography, London. Christopher Riopelle is curator of post-1800 paintings at the National Gallery, London.