MTU Library Catalogue

Syndetics cover image
Image from Syndetics

The politics of opera in Handel's Britain / Thomas McGeary.

By: McGeary, Thomas, 1948- [author.].
Material type: materialTypeLabelBookPublisher: Cambridge : Cambridge University Press, 2016Copyright date: ©2013Description: xii, 407 pages : illustrations ; 26 cm.Content type: text Media type: unmediated Carrier type: volumeISBN: 9781316620229 (paperback) .Subject(s): Opera -- Political aspects -- Great Britain -- History -- 18th centuryDDC classification: 782.10941
Contents:
Opera and political allegory: When is it an allegory? When is it political? -- Politics in the Royal Academy of Music -- The opera house, allegory, and the political opposition -- Handel's second academy -- Rival opera companies and Farinelli in Madrid -- Politics, theatre, and opera in the 1730s -- The opera stage as political history.
Summary: "The Politics of Opera in Handel's Britain examines the involvement of Italian opera in British partisan politics in the first half of the eighteenth century, which saw Sir Robert Walpole's rise to power and George Frideric Handel's greatest period of opera production. McGeary argues that the conventional way of applying Italian opera to contemporary political events and persons by means of allegory and allusion in individual operas is mistaken; nor did partisan politics intrude into the management of the Royal Academy of Music and the Opera of the Nobility. This book shows instead how Senesino, Faustina, Cuzzoni and events at the Haymarket Theatre were used in political allegories in satirical essays directed against the Walpole ministry. Since most operas were based on ancient historical events, the librettos - like traditional histories - could be sources of examples of vice, virtue, and political precepts and wisdom that could be applied to contemporary politics.
Holdings
Item type Current library Call number Copy number Status Barcode
General lending MTU Cork School of Music Library Lending 782.10941 (Browse shelf(Opens below)) 1 Available 00236747
Total holds: 0

Enhanced descriptions from Syndetics:

The Politics of Opera in Handel's Britain examines the involvement of Italian opera in British partisan politics in the first half of the eighteenth century, which saw Sir Robert Walpole's rise to power and George Frideric Handel's greatest period of opera production. McGeary argues that the conventional way of applying Italian opera to contemporary political events and persons by means of allegory and allusion in individual operas is mistaken; nor did partisan politics intrude into the management of the Royal Academy of Music and the Opera of the Nobility. This book shows instead how Senesino, Faustina, Cuzzoni and events at the Haymarket Theatre were used in political allegories in satirical essays directed against the Walpole ministry. Since most operas were based on ancient historical events, the librettos - like traditional histories - could be sources of examples of vice, virtue, and political precepts and wisdom that could be applied to contemporary politics.

Bibliography: (pages 372-400) and index.

Opera and political allegory: When is it an allegory? When is it political? -- Politics in the Royal Academy of Music -- The opera house, allegory, and the political opposition -- Handel's second academy -- Rival opera companies and Farinelli in Madrid -- Politics, theatre, and opera in the 1730s -- The opera stage as political history.

"The Politics of Opera in Handel's Britain examines the involvement of Italian opera in British partisan politics in the first half of the eighteenth century, which saw Sir Robert Walpole's rise to power and George Frideric Handel's greatest period of opera production. McGeary argues that the conventional way of applying Italian opera to contemporary political events and persons by means of allegory and allusion in individual operas is mistaken; nor did partisan politics intrude into the management of the Royal Academy of Music and the Opera of the Nobility. This book shows instead how Senesino, Faustina, Cuzzoni and events at the Haymarket Theatre were used in political allegories in satirical essays directed against the Walpole ministry. Since most operas were based on ancient historical events, the librettos - like traditional histories - could be sources of examples of vice, virtue, and political precepts and wisdom that could be applied to contemporary politics.