MTU Library Catalogue

Syndetics cover image
Image from Syndetics

The magazine / edited by Gwen Allen.

Contributor(s): Allen, Gwen, 1971- [editor].
Material type: materialTypeLabelBookSeries: Documents of contemporary art series: Publisher: London : Cambridge, MA : Whitechapel Gallery ; The MIT Press, 2016Publisher: ©2016Description: 237 pages ; 21 cm.Content type: text Media type: unmediated Carrier type: volumeISBN: 9780854882434 (paperback); 9780262528665.Subject(s): Art publishing -- History -- 20th century | Art publishing -- History -- 21st century | Art -- Periodicals -- History -- 20th century | Art -- Periodicals -- History -- 21st century -- Periodicals | Art criticism -- History -- 20th century | Conceptual artDDC classification: 705
Contents:
The structural transformation of the public sphere, 1962 / Jurgen Habermas -- Statement for open public hearing : Art Workers' Coalition, 1969 / Lee Lozano -- Hidden trails in art, 1969 / Robert Smithson -- Ten years before the Artforum masthead, 1977 / Jack Burnham -- Art criticism in the age of incommensu-rate values, 1993 / Thomas Crow -- October 1-100 : some particulars, 2002 / Roger Conover -- A nationwide forum and model : art magazines and symposia, 2003 / Martina Köppel-Yang -- Writing about apparently non-existent art, 2013 / Valentina Parisi -- Editorial, documenta 12 magazines project, 2007 / Georg Schöllhammer -- Documenta 12 magazines project : what is to be done? (education), 2007 / Peter Osborne -- The limits of the limits, 2014 / ArtReview -- In conversation with Mia Jankowicz, 2013 / Lina Attalah -- Alternative medium, alternative space. On Semina : in conversation with Eduardo Lipschutz-Villa, 1992 / Michael McClure -- Poem, March 1966 / Dan Graham -- Letter to Brian O'Doherty, 1967 / Roland Barthes -- Towards an intermedia magazine, 1968 / Jud Yalkut -- On Avalanche : in conversation with Gwen Allen, 2001 / Willoughby Sharp -- Documentation in conceptual art, 1970 / Gregory Battcock -- Aspen : denial of second class mail privileges, 1971 / United States Postal Service -- Notes on the Mythic Being, I-III, 1974-76 / Adrian Piper -- Statement, Art-Rite, 1976 / Lucy R. Lippard -- Alternative space : artists' periodicals, 1977 / Howardena Pindell -- Alternative periodicals, 1978 / Edit DeAk and Walter Robinson -- Art magazines and magazine art, 1980 / Clive Phillpot -- Russian samizdat art, 1986 / Rimma Gerlovina and Valery Gerlovin -- Figuring Lip : feminisms unbound, 1976-84, 2013 / Vivian Ziherl -- Will to representation : Eau de Cologne, 1985-93, 2006 / Johanna Burton -- The fashion system, 1967 / Roland Barthes -- Are you Rea, 1968 / Robert Heinecken --How magazines reacted to some art penetrations, 1967-84, and onward, 2015 / Eduardo Costa -- John Knight : Journals series, 2001 / Anne Rorimer -- Pictures, 1977 / Douglas Crimp -- Martha Rosler reads Vogue : wishing, dreaming, winning, spending, 1982 / Martha Rosler -- The graphic ordering of desire : modernization of a middle-class women's magazine, 1919-39, 1985 / Sally Stein -- Discordant views, 1985 / Silvia Kolbowski -- Word up!, 1993 / Barbara Kruger -- In conversation with Monika Szewczyk, 2010 / Josephine Meckseper -- Page by page : fashion and photography in the magazine, 2010 / Antje Krause-Wahl -- Spectacle culture and the mediated image, 2011 / Nancy Spector -- Editorial, Whole earth catalog, 1968 / Stewart Brand -- Mail art : a bridge to freedom, 2012 / Clemente Padín -- How to make a magazine, 1974 / Laurel Galana -- Editorial page, Punk, 1976 / John Holmstrom -- Editorial, Tripping corpse, 1981 / Raymond Pettibon -- Typo-anarchy, 1998 / Teal Triggs -- In conversation with Neville Wakefield, 2010 / Raymond Pettibon -- Editorial statement, Riot Grrrl, 1991 / Molly Neuman, Allison Wolfe, et al. -- Riot Grrrl is ..., c. 1991 / Unsigned -- The permission factory : a few notes, 2013 / Scott Treleaven -- On self-publishing practices, 2012 / Paul Gangloff, Stephan Dillemuth, Alexi Kukuljevic, Hans-Christian Dany -- In conversation with Hanin Tarek, 2011 / Sanaa Seif -- Understanding magascenes, 1970 / Marshall McLuhan -- On Memoria de la postguerra, 1995 / Luis Camnitzer -- Dispersion, 2002- / Seth Price -- In conversation with Hans Ulrich Obrist, 2002 / Rirkrit Tiravanija -- Ever. Ever. Ever. In conversation with Hans Ulrich Obrist, 2006 / Anton Vidokle -- Fragments of chaos : Ei Arakawa's on-site magazines, 2008 / Reiko Tomii -- Poem, October 2009 (after Dan Graham), 2010 / Caolan Madden and Paul Hughes -- Prepositions and publications : on Dexter Sinister, 2011 / Saul Anton -- UbuWeb at fifteen years, 2011 / Kenneth Goldsmith -- The binder and the server, 2011 / Triple Canopy -- In conversation with Chloé Nicolet-dit-Félix and Gulru Vardar, 2013 / Raqs Media Collective -- Magazine statements, 1798-2013.
Summary: The multiple platforms of the digital era have not diminished the role of the magazine for artists as an alternative medium and experimental space. Whether printed on paper or electronically generated, the artist's magazine continues to be a place where new ideas and forms can be imagined as well as a significant site of artistic production. Intrinsically collaborative, including readers' active engagement, the magazine is an inherently open form that generates constantly evolving relationships. It was integral to the emergence of art criticism in the Enlightenment period and to the development of artistic dialogues around notions of culture, politics, and the public from the modern era avant-gardes to the present. This collection contextualizes the current condition and potential of the artist's magazine, surveying the art worlds it has created and then superseded; the commercial media forms it has critically appropriated, intervened in, or subverted; the alternative DIY cultures it has brought into being; and the expanded fields of cultural production, exchange, and distribution it continues to engender. In addition to surveying case studies of transformational magazines from the early 1960s onwards, The Magazine includes a wide-ranging archive of key editorial statements, from eighteenth-century Weimar to twenty-first century Bangkok, Cape Town, and Delhi. -- Publisher's description.
Holdings
Item type Current library Call number Status Barcode
General lending MTU Crawford College of Art and Design Library Lending 705 (Browse shelf(Opens below)) Available 00230680
General lending MTU Crawford College of Art and Design Library Lending 705 (Browse shelf(Opens below)) Available 00230679
Total holds: 0

Enhanced descriptions from Syndetics:

Part of the acclaimed 'Documents of Contemporary Art' series of anthologies . Intrinsically collaborative, the magazine is an inherently _open_ form, generating constantly evolving relationships. This anthology contextualizes the artist_s magazine, surveying the art worlds it has by turns created and superseded; the commercial media forms it has critically appropriated, intervened in or subverted; the alternative, DIY cultures it has brought into being; and the expanded fields of cultural production, exchange and distribution it continues to engender. Surveying case studies of transformational magazines from the early 1960s onwards, this book also includes a wide-ranging archive of key editorial statements, from eighteenth-century Weimar to twenty-first century Bangkok, Cape Town and Delhi. Artists surveyed include: Can Altay, Ei Arakawa, Julieta Aranda, Tania Bruguera, Maurizio Cattelan, Eduardo Costa, Dexter Sinister, Rimma Gerlovina, Valeriy Gerlovin, Robert Heinecken, John Holmstrom, John Knight, Silvia Kolbowski, Lee Lozano, Josephine Meckseper, Clemente Padin, Raymond Pettibon, Adrian Piper, Seth Price, Raqs Media Collective, Riot Grrrl, Martha Rosler, Sanaa Seif, Rirkrit Tiravanija, Scott Treleaven, Triple Canopy and Anton Vidokle. Writers include: Saul Anton, Stuart Brand, Jack Burnham, Johanna Burton, Thomas Crow, Edit DeAk, Kenneth Goldsmith, Jürgen Habermas, Martina Köppel-Yang, Antje Krause-Wahl, Lucy Lippard, Caolan Madden, Valentina Parisi, Howardena Pindell, Georg Schöllhammer, Nancy Spector, Sally Stein, Reiko Tomii, Jud Yalkut and Vivian Ziherl.

Includes bibliographical references and index.

The structural transformation of the public sphere, 1962 / Jurgen Habermas -- Statement for open public hearing : Art Workers' Coalition, 1969 / Lee Lozano -- Hidden trails in art, 1969 / Robert Smithson -- Ten years before the Artforum masthead, 1977 / Jack Burnham -- Art criticism in the age of incommensu-rate values, 1993 / Thomas Crow -- October 1-100 : some particulars, 2002 / Roger Conover -- A nationwide forum and model : art magazines and symposia, 2003 / Martina Köppel-Yang -- Writing about apparently non-existent art, 2013 / Valentina Parisi -- Editorial, documenta 12 magazines project, 2007 / Georg Schöllhammer -- Documenta 12 magazines project : what is to be done? (education), 2007 / Peter Osborne -- The limits of the limits, 2014 / ArtReview -- In conversation with Mia Jankowicz, 2013 / Lina Attalah -- Alternative medium, alternative space. On Semina : in conversation with Eduardo Lipschutz-Villa, 1992 / Michael McClure -- Poem, March 1966 / Dan Graham -- Letter to Brian O'Doherty, 1967 / Roland Barthes -- Towards an intermedia magazine, 1968 / Jud Yalkut -- On Avalanche : in conversation with Gwen Allen, 2001 / Willoughby Sharp -- Documentation in conceptual art, 1970 / Gregory Battcock -- Aspen : denial of second class mail privileges, 1971 / United States Postal Service -- Notes on the Mythic Being, I-III, 1974-76 / Adrian Piper -- Statement, Art-Rite, 1976 / Lucy R. Lippard -- Alternative space : artists' periodicals, 1977 / Howardena Pindell -- Alternative periodicals, 1978 / Edit DeAk and Walter Robinson -- Art magazines and magazine art, 1980 / Clive Phillpot -- Russian samizdat art, 1986 / Rimma Gerlovina and Valery Gerlovin -- Figuring Lip : feminisms unbound, 1976-84, 2013 / Vivian Ziherl -- Will to representation : Eau de Cologne, 1985-93, 2006 / Johanna Burton -- The fashion system, 1967 / Roland Barthes -- Are you Rea, 1968 / Robert Heinecken --How magazines reacted to some art penetrations, 1967-84, and onward, 2015 / Eduardo Costa -- John Knight : Journals series, 2001 / Anne Rorimer -- Pictures, 1977 / Douglas Crimp -- Martha Rosler reads Vogue : wishing, dreaming, winning, spending, 1982 / Martha Rosler -- The graphic ordering of desire : modernization of a middle-class women's magazine, 1919-39, 1985 / Sally Stein -- Discordant views, 1985 / Silvia Kolbowski -- Word up!, 1993 / Barbara Kruger -- In conversation with Monika Szewczyk, 2010 / Josephine Meckseper -- Page by page : fashion and photography in the magazine, 2010 / Antje Krause-Wahl -- Spectacle culture and the mediated image, 2011 / Nancy Spector -- Editorial, Whole earth catalog, 1968 / Stewart Brand -- Mail art : a bridge to freedom, 2012 / Clemente Padín -- How to make a magazine, 1974 / Laurel Galana -- Editorial page, Punk, 1976 / John Holmstrom -- Editorial, Tripping corpse, 1981 / Raymond Pettibon -- Typo-anarchy, 1998 / Teal Triggs -- In conversation with Neville Wakefield, 2010 / Raymond Pettibon -- Editorial statement, Riot Grrrl, 1991 / Molly Neuman, Allison Wolfe, et al. -- Riot Grrrl is ..., c. 1991 / Unsigned -- The permission factory : a few notes, 2013 / Scott Treleaven -- On self-publishing practices, 2012 / Paul Gangloff, Stephan Dillemuth, Alexi Kukuljevic, Hans-Christian Dany -- In conversation with Hanin Tarek, 2011 / Sanaa Seif -- Understanding magascenes, 1970 / Marshall McLuhan -- On Memoria de la postguerra, 1995 / Luis Camnitzer -- Dispersion, 2002- / Seth Price -- In conversation with Hans Ulrich Obrist, 2002 / Rirkrit Tiravanija -- Ever. Ever. Ever. In conversation with Hans Ulrich Obrist, 2006 / Anton Vidokle -- Fragments of chaos : Ei Arakawa's on-site magazines, 2008 / Reiko Tomii -- Poem, October 2009 (after Dan Graham), 2010 / Caolan Madden and Paul Hughes -- Prepositions and publications : on Dexter Sinister, 2011 / Saul Anton -- UbuWeb at fifteen years, 2011 / Kenneth Goldsmith -- The binder and the server, 2011 / Triple Canopy -- In conversation with Chloé Nicolet-dit-Félix and Gulru Vardar, 2013 / Raqs Media Collective -- Magazine statements, 1798-2013.

The multiple platforms of the digital era have not diminished the role of the magazine for artists as an alternative medium and experimental space. Whether printed on paper or electronically generated, the artist's magazine continues to be a place where new ideas and forms can be imagined as well as a significant site of artistic production. Intrinsically collaborative, including readers' active engagement, the magazine is an inherently open form that generates constantly evolving relationships. It was integral to the emergence of art criticism in the Enlightenment period and to the development of artistic dialogues around notions of culture, politics, and the public from the modern era avant-gardes to the present. This collection contextualizes the current condition and potential of the artist's magazine, surveying the art worlds it has created and then superseded; the commercial media forms it has critically appropriated, intervened in, or subverted; the alternative DIY cultures it has brought into being; and the expanded fields of cultural production, exchange, and distribution it continues to engender. In addition to surveying case studies of transformational magazines from the early 1960s onwards, The Magazine includes a wide-ranging archive of key editorial statements, from eighteenth-century Weimar to twenty-first century Bangkok, Cape Town, and Delhi. -- Publisher's description.