Proverb ; Nagoya marimbas ; City life / Steve Reich.
By: Reich, Steve [composer]
.
Contributor(s): Wittgenstein, Ludwig [author] | Becker, Bob [instrumentalist] | Preiss, James [instrumentalist] | Hillier, Paul [conductor] | Lubman, Brad [conductor] | Theatre of Voices [performer] | Steve Reich Ensemble [performer].
Material type: 
MusicPublisher: New York : Nonesuch Records, [1996]Copyright date: ©1996Description: 1 audio disc : digital ; 4 3/4 in.Content type: performed music Media type: audio Carrier type: audio discOther title: City life ; Proverb [Title on container:].Contained works: Reich, Steve, 1936- Nagoya marimbas | Reich, Steve, 1936- City life.Subject(s): Wittgenstein, Ludwig, 1889-1951 -- Musical settings | Vocal ensembles with instrumental ensemble | Marimba music (Marimbas (2)) | Instrumental ensemblesDDC classification: CD/5290 | Item type | Current library | Call number | Status | Barcode | |
|---|---|---|---|---|---|
| General lending | MTU Cork School of Music Library CD | CD/5290 (Browse shelf(Opens below)) | Available | 00235216 |
Browsing MTU Cork School of Music Library shelves, Shelving location: CD Close shelf browser (Hides shelf browser)
Enhanced descriptions from Syndetics:
This recording brings together three disparate styles on one record showcasing Reich's compositional work. Opening with "Proverb," a piece for voices and a mixed ensemble, the disc begins on a somber note. The complete text of the piece is the following line from Ludwig Wittgenstein: "How small a thought it takes to fill a whole life!" This line is sung very, very slowly, note by note with style and chord structure hearkening back to medieval harmonization. Electric organs double the singers. The centerpiece of the record is "Nagoya Marimbas," with a sound reminiscent of Reich's marimba work from the '60s and '70s, and for fans of this era of Reich's work it is a pleasant surprise to hear another piece in this style again. Marimba parts themselves are significantly more complex here, showing Reich's continuing development even when returning to old haunts. The final piece, "City Life," is a kickback to an earlier composition style, utilizing sounds in the natural environment (or in this case the urban environment) to generate musical material. Rather than using manipulated magnetic tape, however, Reich uses what he calls the "extended idea of prepared piano" -- the electronic keyboard sampler. Unlike experiments using tape, this piece was recorded live and can be easily reproduced live on-stage. Sampled sounds come in the form of speeches at political rallies, car horns, pile drivers, and sounds from fire-department radios during the first World Trade Center bombing. Using a car horn to replace the sound of a clarinet is, it must be said, pretty darn cool. This record shows Reich playing with different styles -- it is a transitional point in his career -- which leaves the cohesiveness of the recording off-balanced. But seeing the forest for three different kinds of trees, the new works are exciting and musically satisfying. ~ Mark W. B. Allender
The 1st work for voices (SSSTT), 2 vibraphones and 2 electric organs, with a short text from Ludwig Wittgensteinches. The 2nd work for 2 marimbas ; the 3rd for instrumental ensemble (2 flutes, 2 oboes, 2 clarinets, 2 pianos, 2 samplers, 3 or 4 percussion, string quartet and bass)
Program notes by the composer in English with French and German translations (28 pages) inserted in container.
Proverb -- Nagoya marimbas -- City life. "Check it out" ; Pile driver/alarms ; "It's been a honeymoon--Can't take no mo'" ; Heartbeats/boats & buoys ; "Heavy smoke".
Theatre of Voices ; members of the Steve Reich Ensemble ; Paul Hillier, conductor ; Bob Becker, James Preiss, marimbas ; The Steve Reich Ensemble ; Bradley Lubman, conductor.
Recorded in June 1996 at the Hit Factory, New York City.
Compact disc.
Alan Cutts Collection.