Enhanced descriptions from Syndetics:

John Millington Synge's classic work set in Mayo. A mysterious traveller, Christy Mahon, arrives in the village believing he has killed his father. He is looked upon as a hero by the locals and falls in love with one of them, Pegeen Mike, who agrees to marry him. But when Christy's 'murdered' father appears on the scene, Christy's fortune takes a downturn with comic and tragic result.The Playboy of the Western World is, undoubtedly, Synge's masterpiece. It was produced at the Abbey Theatre in 1907 and provoked an immediate riot and continuing controversy. This edition of the play is introduced by renowned Kerry actor Éamonn Keane whose interpretation of the role of Christy Mahon ranks him with the greatest actors to have played this part.

Reviews provided by Syndetics

Library Journal Review

This award-winning audio producer's latest effort reprises the critically acclaimed Pacific Resident Theatre's full-cast production of Synge's Irish comedic classic, starring Orson Bean, Alexander Enberg, and Jacqueline Heinze. The author's 1907 wickedly satiric masterpiece is a trenchant attack on the acceptance of appearances in a small Irish village. Christy Mahon turns up at the home of Michael Flaherty and his daughter, Peegen Mike, and is accepted by the town as a hero following his boastful story of murdering his tyrannical father. The town, especially the women, is seduced by Christy but ultimately turns savagely against him when his "slain" father appears looking for his son. The language is beautifully poetic and lush while being firmly grounded in the colloquial idioms and dialect of rural Ireland. The cast is, without exception, outstanding, and Bean is a delight. The technical quality is consistent with L.A. Theatre Works' high standards of professional excellence. A real gem.DBarry X. Miller, Austin P.L., TX (c) Copyright 2010. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.

Author notes provided by Syndetics

After graduating from Trinity College, Dublin, Synge left for Europe to write poetry. If W. B. Yeats had not discovered him in Paris and persuaded him to return to Ireland and absorb its native traditions, the Irish renaissance might have lost its best playwright. As it was, Synge's poetry of Celtic romanticism was rather more tempered with a European realism than Yeats and his renaissance had anticipated.

Yeats sent Synge to the West of Ireland to get to know the peasants there. The result was, in addition to the journal The Aran Islands (1907), two short plays for the Abbey: The Shadow of the Glen (1903), in which a comic resurrection interrupts a widow's marriage bargaining, and Riders to the Sea (1904), about a mother's loss of her last son, a perfect condensed tragedy and probably the finest one-act play. The poorly received The Well of the Saints (1905), whose characters vehemently reject reality for comfortable illusion, offered the Abbey audience a warning of what was to come. This was Synge's masterpiece, The Playboy of the Western World (1907), which touched off rioting at the theater. The playboy is Christy Mahon, a lout who becomes a hero among the Mayo peasantry when he boasts he has murdered his father. Satire on Irish romanticism conceals a parable of the poet's development and estrangement from his public. But Dublin nationalists heard only the people slandered, and Dublin prudery heard only the forbidden word "shifts" on Christy's lips.

Playboy was the last play Synge saw staged. He died of cancer at age 37, never having completed Deirdre of the Sorrows (1910), his only work in the Celtic legendary mode.

(Bowker Author Biography)