Troubled land / photographs by Paul Graham.
By: Graham, Paul [author, photographer]
.
Material type:
BookPublisher: [London] : MACK, [2022]Copyright date: ©2022Description: [80] pages : chiefly colour illustrations ; 32 x 24 cm.Content type: text Media type: unmediated Carrier type: volumeISBN: 9781913620608 (hardback).Subject(s): Graham, Paul, 1956-| Item type | Current library | Call number | Status | Barcode | |
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| General lending | MTU Crawford College of Art and Design Library Lending | 779.092 GRA (Browse shelf(Opens below)) | Available | 00231800 |
Browsing MTU Crawford College of Art and Design Library shelves, Shelving location: Lending Close shelf browser (Hides shelf browser)
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| 779.092 GOW Emmet Gowin : photographs / | 779.092 GRA Paul Graham / | 779.092 GRA American night / | 779.092 GRA Troubled land / | 779.092 GRO Jan Groover : photographs / | 779.092 GRO Pure invention : the tabletop still life : photographs by Jan Groover / | 779.092 GUR Andreas Gursky / |
Originally published in 1987 by Grey Editions, London.
"An iconic project made at the height of the ‘Troubles’, Troubled Land deals with the small but insistent signs of political division embedded in the landscape of Northern Ireland. At the heart of the Irish conflict lays the land — who owns it, who controls it, whose history it expresses. Paul Graham’s quietly radical book keeps this material truth in mind as it uniquely combines landscape and conflict photography, seducing us with bucolic views in which telling details only gradually appear: painted kerbs, distant soldiers or helicopters, flags and graffiti, paint-splattered roads, each tacitly aligning that location to its Republican or Loyalist allegiance. Pastoral photographs of green fields and hedgerows reveal themselves to be images of conflict and dispute — despite the steadiness of the photographic frame and the clarity of Graham’s vision, this is unsettled land. Originally published in 1986, Troubled Land is reprinted here for the first time in thirty-five years. Controversial then for its use of colour and refusal to follow the clichéd tropes of photojournalism, the book was pivotal in providing a fresh perspective on Northern Ireland’s ‘Troubles’ and left a lasting impact on landscape photography, suggesting how it might engage with politics and society rather than escape from them." - publisher's description.