MTU Library Catalogue

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The makers of modern dance in Germany : Rudolf Laban, Mary Wigman, Kurt Jooss / by Isa Partsch-Bergsohn and Harold Bergsohn.

By: Partsch-Bergsohn, Isa.
Contributor(s): Bergsohn, Harold.
Material type: materialTypeLabelBookPublisher: Hightstown, NJ : Princeton Book Co., c2003Description: 102 p. : ill. ; 20 cm.ISBN: 0871272504; 9780871272508.Subject(s): Laban, Rudolf von, 1879-1958 | Wigman, Mary, 1886-1973 | Jooss, Kurt, 1901-1979 | Jooss, Kurt, 1901- | Dancers -- Germany -- Biography | Modern dance -- Germany -- History | Biography | Biography & non-fiction prose | Dance | Contemporary dance | GermanyDDC classification: 792.8 PAR
Holdings
Item type Current library Call number Status Barcode
General lending MTU Kerry North Campus Library First Floor Main 792.8 PAR (Browse shelf(Opens below)) Available 38888000853816
General lending MTU Kerry North Campus Library First Floor Main 792.8 PAR (Browse shelf(Opens below)) Available 38888000853824
Total holds: 0

Enhanced descriptions from Syndetics:

This is the story of the founders of modern dance in Germany: Rudolf Laban, Mary Wigman, and Kurt Joos, whose work in the first half of the 20th century paralleled the independent development of modern dance in America--without being influenced by it. Laban is credited as being the most important innovator and guiding force and is best known as the inventor of Labanotation, a symbolic language for describing movement. Wigman became Laban's student in 1913 at a time when he was earning a reputation as an inspired choreographer and movement director. Joos was a young man of 19 when, hearing about Laban's pioneering work, he decided to pay a visit to the master. He soon became his assistant and lead male dancer. This book follows the connective threads of these remarkable individuals throughout their careers in chaotic times.

Includes bibliographical references (p. 101).

Includes filmography: p. 100.

ITT Module DANC61004

ITT Module DANC61002

Table of contents provided by Syndetics

  • Acknowledgements (p. VII)
  • Introduction (p. IX)
  • Rudolf Von Laban (p. 1)
  • Munich (p. 5)
  • Emile Jaques-Dalcroze (p. 7)
  • Monte Verita (p. 8)
  • Mary Wigman (p. 9)
  • Dance Practice at Monte Verita (p. 11)
  • The War Years (p. 13)
  • Dada in Zurich, 1916-1919 (p. 14)
  • Laban in Stuttgart (p. 16)
  • Kurt Jooss (p. 17)
  • Jooss Meets His Master (p. 18)
  • Gleschendorf (p. 21)
  • Jooss And Leeder (p. 23)
  • Laban in America (p. 24)
  • The Folkwang School (p. 25)
  • First Dancers Congress (p. 26)
  • Second Dancers Congress (p. 27)
  • Wigman Goes It Alone, 1920 (p. 30)
  • Gret Palucca (p. 31)
  • Wigman As A Pedagogue (p. 36)
  • Hanya Holm (p. 37)
  • Berthe Trumpy (p. 39)
  • Vera Skoronel (p. 40)
  • Yvonne Georgi (p. 42)
  • Harald Kreutzberg (p. 44)
  • Wigman Comes to America (p. 46)
  • Wigman and the Nazis (p. 51)
  • Mary Wigman 1944: A Recollection (p. 54)
  • The Wigman School in New York (p. 55)
  • Jooss and the Nazis (p. 61)
  • The Green Table (p. 61)
  • The Flight Out of Germany (p. 64)
  • Jooss In America (p. 65)
  • Laban And The Nazis (p. 66)
  • Jooss In England (p. 70)
  • Life at Dartington Hall (p. 71)
  • Laban's Rescue (p. 75)
  • Laban Meets F.C. Lawrence (p. 75)
  • Laban and Jooss in Wartime England (p. 76)
  • The Art of Movement Studio (p. 77)
  • A Night to Remember Leipzig, February 4, 1945 (p. 79)
  • Wigman: 1945-1949 (p. 80)
  • Wigman: The Post-Communist Years (p. 81)
  • Jooss: The Post-War Years (p. 83)
  • Kurt Jooss 1948: An Impression (p. 86)
  • Jooss in The Sixties and Seventies (p. 88)
  • The Legacy (p. 92)
  • Laban (p. 92)
  • Jooss (p. 93)
  • Wigman (p. 94)
  • Endnotes (p. 96)
  • Videography (p. 99)
  • Bibliography (p. 100)
  • Photograph credits (p. 101)

Reviews provided by Syndetics

CHOICE Review

This volume weaves together the stories of three passionate artists and their colleagues who created German modern dance in the 20th century despite war and repression. Hanya Holm, a disciple of Wigman, had brought to the US much of Wigman's philosophy, which became central to the formation of American modern dance. Partsch-Bergsohn was a student of both Wigman and Jooss, and her recollections are particularly poignant. The book contains translations from German publications, interviews, and personal recollections, none of which have appeared before. In the works from the same publisher (release date uncertain) is a video intended to amplify the book; this video will undoubtedly prove helpful to better understanding the philosophies of these leaders of modern dance. Without that visual aid, envisioning the work is hard because the authors provide only a few pictures and even those cannot capture the essence of each style. For the material never before published, this book is important reading. Unfortunately, the last chapter, "The Legacy," does not complete the process of weaving the materials together. A more in-depth look at these dancers' legacy would benefit current students of modern dance, who are far removed from the original material. ^BSumming Up: Optional. Upper-division undergraduates through faculty and professionals. L. K. Rosenberg Miami University

Author notes provided by Syndetics

Isa Partsch-Bergsohn is a former student of Mary Wigman. She is currently a professor of dance at the University of Arizona. Harold Bergsohn began his photographic career in 1950 at the New York Herald Tribune . They live in Tucson, Arizona.