1000 photo icons / George Eastman House.
Material type:
BookPublisher: Köln : Taschen, [2002]Copyright date: ©2002Description: 766 pages : illustrations (some colour) ; 21 cm.Content type: text Media type: unmediated Carrier type: volumeISBN: 3822820970 (hardback); 9783822820971 (hardback).Subject(s): Photography, Artistic -- History -- Sources| Item type | Current library | Call number | Status | Barcode | |
|---|---|---|---|---|---|
| General lending | MTU Crawford College of Art and Design Library Store | 770.1 (Browse shelf(Opens below)) | Available | 00230261 |
Includes bibliographical references (pages: 747-757) and index.
The collections at George -- A legacy in the making -- The blind man's elephant -- All things under the sun: Daguerre and the daguerreotype -- Southworth and hawes -- Talbot and the paper negative -- Hill and Adamson -- The calotype in France -- An even greater measure: Italy - Rome -- Italy - Pompeii -- Italy - Florence -- Italy - Venie -- The Middle East - Egypt -- The Middle East - Palestine and Syria, Baalbek, Palmyra, Jerusalem -- The Middle East - Turkey -- India -- The Far East - Japan -- The Far East - China -- The Americans -- The American West -- California and the Far West -- Technology and war: Technology -- Crimea -- The American Civil War -- A matter of fact -- Photography's public and private lives -- Artful ambitions -- An art of its own -- Our modern world -- The object photographed -- Photography sells -- Public record -- Candid witness -- The visual mind -- American seen -- The world beat -- Peers and predecessors.
Table of contents provided by Syndetics
- Foreword (p. 6)
- The Collections at George Eastman House (p. 8)
- A Legacy in the Making (p. 11)
- The Blind Man's Elephant (p. 21)
- Acknowledgements (p. 31)
- About This Publication (p. 33)
- All Things under the Sun (p. 36)
- Daguerre and the Daguerreotype (p. 40)
- Southworth and Hawes (p. 78)
- Talbot and the Paper Negative (p. 90)
- Hill and Adamson (p. 100)
- The Calotype in France (p. 114)
- An Even Greater Measure (p. 140)
- Italy - Rome (p. 140)
- Italy - Pompeii (p. 146)
- Italy - Florence (p. 148)
- Italy - Venice (p. 150)
- The Middle East - Egypt (p. 157)
- The Middle East - Palestine and Syria, Baalbek, Palmyra, Jerusalem (p. 168)
- The Middle East - Turkey (p. 175)
- India (p. 178)
- The Far East - Japan (p. 186)
- The Far East - China (p. 191)
- The Americas (p. 192)
- The American West (p. 197)
- California and the Far West (p. 215)
- Technology and War (p. 226)
- Technology (p. 226)
- Crimea (p. 250)
- The American Civil War (p. 258)
- A Matter of Fact (p. 272)
- Photography's Public and Private Lives (p. 306)
- Artful Ambitions (p. 348)
- An Art of Its Own (p. 390)
- Our Modern World (p. 434)
- The Object Photographed (p. 474)
- Photography Sells (p. 542)
- Public Record (p. 574)
- Candid Witness (p. 626)
- The Visual Mind (p. 638)
- America Seen (p. 654)
- The World Beat (p. 670)
- Peers and Predecessors (p. 684)
- Glossary (p. 732)
- Selected Bibliography (p. 747)
- Photographers' Credits (p. 759)
- Index of Photographers (p. 762)