MTU Library Catalogue

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The painters of the Wagilag Sisters Story, 1937-1997.

Contributor(s): Caruana, Wally | Lendon, Nigel | National Gallery of Australia.
Material type: materialTypeLabelBookPublisher: Canberra : National Gallery of Australia, 1997Description: 174 p. : col. ill ; 29 cm.ISBN: 064213068X.Subject(s): Aboriginal Australians | Art, Aboriginal Australian -- Exhibitions | Art -- Northern Territory -- Arnhem Land -- ExhibitionsDDC classification: 759.994
Holdings
Item type Current library Call number Copy number Status Barcode
General lending MTU Crawford College of Art and Design Library Lending 759.994 (Browse shelf(Opens below)) 1 Available 00053011
Total holds: 0

Enhanced descriptions from Syndetics:

The narrative of the Wagilag Sisters and Wititj the Olive Python is a creation story of the Yolngu people of Central and eastern Arnhem Land. It is of central importance to their social life and rituals, ceremony and song, and the laws relating to authority, kinship, territory and marriage. The narrative also binds together groups possessing different parts of the story: the artists of the Liyagalawumirr clan and related artists from Central Arnhem Land, and the clans of Eastern Arnhem Land. This publication explores the pictorial representation of the tale across four generations of Yolngu artists, reproducing works from the 1930s to the 1990s.

Published on the occasion of the exhibition The Painters of the Wagilag Sisters Story 1937-1997 held at the NGA, Canberra, Sept.-Nov. 1997.

Bibliography: p. 161-164.

Reviews provided by Syndetics

CHOICE Review

Consultants Caruana (curator, aboriginal and Torres Strait Islander art, National Gallery) and London (Reader in Visual Arts, Canberra School of Art, Australian National Univ.) offer this exhibition catalog from the National Gallery of Australia, Canberra. Australian Aboriginal bark paintings from Arnhem Land are presented not only as significant aesthetic expressions but also as a mythological and documentary record, part of a cultural heritage transmitted by four generations of artists from 1937 to '97 and focused on the timeless Arnhem Land Creation Stories of the Wagilag Sisters and their encounters with Wititj the Olive Python and other animals during the Eternal Dream Time. Multifaceted events are depicted, which founded laws of social and ritual behavior and secured ownership as well as responsibility for clan territory. Djon Mundine (senior curator, Museum of Contemporary Art, Sydney), previous art advisor for Central Arnhem Land, also contributes a chapter on the development of arts and crafts cooperatives and promotion of exhibitions and sales. Individual essays by Albert Djiwada, senior indigenous consultant, and other artists record delightful creation narratives in mixed Australian English and clan dialects. List of artists and works; more than 100 full-color plates of bark paintings and wooden figures; numerous photographs; glossary; extensive bibliography. General readers; undergraduates through professionals. H. H. Schuster emeritus, Iowa State University