Devised and collaborative theatre : a practical guide / edited by Tina Bicât and Chris Baldwin.
Contributor(s): Bicât, Tinaa
| Baldwin, Chris
.
Material type:
BookPublisher: Marlborough : Crowood, 2002 2010Description: 160 p. : ill. ; 24 cm. + pbk.ISBN: 1861265247.Subject(s): Improvisation (Acting)| Item type | Current library | Call number | Copy number | Status | Date due | Barcode | |
|---|---|---|---|---|---|---|---|
| General lending | MTU Cork School of Music Library Lending | 792.028 (Browse shelf(Opens below)) | 1 | Checked out | 23/11/2026 | 00178615 | |
| General lending | MTU Cork School of Music Library Lending | 792.028 (Browse shelf(Opens below)) | 1 | Available | 00177465 | ||
| General lending | MTU Cork School of Music Library Lending | 792.028 (Browse shelf(Opens below)) | 1 | Available | 00105087 |
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Enhanced descriptions from Syndetics:
This book is written for all companies, student and professional, who are interested in non-text-based theatre and shines a practical light on the passionate business of the devising process. Suggestions and advice on: · Getting started and developing trust and communication within the devising company. · How to research and use the results to stimulate ideas and discussion in the rehearsal period. · Encouraging, channelling and developing ideas in the rehearsal room. · Discovering and incorporating the unexpected in rehearsal. · Backstage and design work, with sample checklists. · Raising money and organizing budgets. · How to stop talking, start playing and develop the performance for an audience.
Includes bibliographical references and index.
Devised and Collaborative Theatre: This book is written for all companies, student and professional, who are interested in non-text-based theatre and shines a practical light on the passionate business of the devising process. It includes suggestions and advice on getting started and developing trust and communication within the devising company; how to research and use the results to stimulate ideas and discussion in the rehearsal period; encouraging, channelling, and developing ideas in the rehearsal room; discovering and incorporating the unexpected in rehearsal; backstage and design work, with sample checklists; raising money and organizing budgets; and how to stop talking, start playing, and develop the performance for an audience.