MTU Library Catalogue

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Tàpies / Andreas Franzke.

By: Franzke, Andreas.
Contributor(s): Tàpies, Antoni, 1923-2012 | Gabriel, John William.
Material type: materialTypeLabelBookPublisher: Munich : New York : Prestel ; Distributed in the USA and Canada by te Neues Pub. Co. ; 1992Description: 363 p. : ill. (some col.) ; 32 cm. + hbk.ISBN: 3791312316.Uniform titles: Antoni Tàpies. English Subject(s): Tàpies, Antoni, 1923-2012 -- Criticism and interpretationDDC classification: 759.6 TÀP
Holdings
Item type Current library Call number Copy number Status Barcode
Reference MTU Crawford College of Art and Design Library Reference 759.6 TÀP (Browse shelf(Opens below)) 1 Not for loan 00050996
Total holds: 0

Enhanced descriptions from Syndetics:

"Antoni Tapies, Spain's greatest living artist, is a leading exponent of "matter" painting, a style characterized by encrusted layers of paint that create an effect of solid relief. His best-known works resemble sections of weathered wall, textured with the traces of time and human endeavor. This highly concrete, starkly immediate art reflects the artist's profound humanitarian concerns and continues the tradition of realism and solemn mysticism that has been characteristic of Spanish art through the centuries." "Featuring high-quality reproductions of major works from all phases of the artist's career, this book traces the development of Tapies's art from the drawings of the 1940's, when he was forced by a potentially fatal disease to spend a long period in sanatoria, to the first "wall" paintings of the mid-1950's, from the assemblages of the 1970's to the fire-clay sculptures of recent years. A number of his latest paintings are discussed and illustrated. The author shows how the artist's intensely personal imagery is intimately related to his intellectual and political experiences. Throughout his career Tapies has been an advocate of freedom for his native Catalonia and, during the Franco dictatorship, was an outspoken champion of human liberty. Such concerns have caused the artist to avoid pure abstraction, whether by virtue of references to the visible world in his works or by the sheer force of their material presence." "Tapies has drawn inspiration from a wide variety of sources: the art of Joan Miro and Paul Klee, of Surrealism and Far Eastern calligraphy have played as formative a role as have the music of Richard Wagner and the philosophy of Hegel, Jean-Paul Sartre, and the Far East. He has absorbed these influences to fashion an art of confession, of manifestos and appeals, homages and protests. This overview of an oeuvre marked by the greatest personal and artistic integrity is completed by biographical notes and an extensive bibliography."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved

"Translated from the German by John William Gabriel"--T.p. verso.

Includes bibliographical references (p. 351-356).

Reviews provided by Syndetics

CHOICE Review

In spite of the fact that T`apies stated: "Even in painting, my art is an art of objects," this Catalan contemporary artist transcends the paradigms of traditional aesthetics. His multimedia art is an art of confession. Its aesthetics is meditative, emotionally evocative, surrealistic: T`apies never stops searching for the essences of human existence that occur in the deepest strata of our being. In the visual arts, T`apies's work can be compared to Mir`o, Ernst, Picasso, Klee, Dubuffet, Kiefer, Beuys, and Manzoni, yet his "language" is inimitable in visual content. As a stimulus to the viewer T`apies challenges one to delve into one's mental associations, ideas, and emotions. Those bring new and unexpected insights, a dramatic and magical dialogue between instinctive and rational worlds. T`apies's symbolically charged depictions are often solemn, sad, silent, and lonely spaces permitting the real and the unreal to merge. Franzke's sophisticated analysis of T`apies's enigmatic and complex, often metaphysical iconography, is a large, beautifully illustrated book with excellent verbal insights and reproductions relevant to both spiritual and political concerns. I. Spalatin; East Texas State University