MTU Library Catalogue

Syndetics cover image
Image from Syndetics

Complete piano sonatas / Alexander Scriabin.

By: Scriabin, Aleksandr Nikolayevich, 1872-1915 [composer].
Material type: materialTypeLabelScorePublisher: New York : Dover Publications, 1988Description: scores (240 pages) ; 29 cm.Content type: notated music Media type: unmediated Carrier type: volumeISBN: 0486258505.Subject(s): Sonatas (Piano) -- ScoresDDC classification: P/1477
Contents:
Sonata no. 1 in F minor, op. 6 (1892) -- Sonata no. 2 in G-sharp minor, op. 19 (1892-97) : Sonata-fantasy -- Sonata no. 3 in F-sharp minor, op. 23 (1897-98) -- Sonata no. 4 in F-sharp major, op. 30 (1903) -- Sonata no. 5, op. 53 (1907) -- Sonata no. 6, op. 62 (1911) -- Sonata no. 7, op. 64 (1911) : White Mass -- Sonata no. 8, op. 66 (1912-13) -- Sonata no. 9, op. 68 (1912-13) : Black Mass -- Sonata no. 10, op. 70 (1913).
Holdings
Item type Current library Call number Copy number Status Barcode
General lending MTU Cork School of Music Library Lending P/1477 (Browse shelf(Opens below)) Available 00203383
General lending MTU Cork School of Music Library Lending P/1477 (Browse shelf(Opens below)) 1 Available 00128819
Total holds: 0

Enhanced descriptions from Syndetics:

Like Chopin, Scriabin made the piano the focus of his art. Among the supreme achievements of that art are the ten sonatas he composed between 1892 and 1913, works that abundantly display both his technical virtuosity and the exhilarating emotional gamut he ranged with such individuality.
All ten of Scriabin's sonatas are reprinted here from the authoritative Russian edition published in 1964. The first four reveal the influences of the pianism of Chopin and Liszt. The subsequent sonatas richly display Scriabin's emerging impressionist techniques and his deep attraction to mysticism, which progressively conjured a more and more ethereal framework of sound, now brooding and introspective, now rhapsodic and exultant.
In both their technical requirements and their emotional demands, these brilliant works will offer pianists a deeply satisfying challenge. Nonpianists will also enjoy this finely made edition, with which they may follow, music in hand, the growing number of loved and recorded performances of these masterpieces.

Reprint. Originally published: Sonaty dlëyìa fortepiano. Moscow : Muzyka, 1964.

Sonata no. 1 in F minor, op. 6 (1892) -- Sonata no. 2 in G-sharp minor, op. 19 (1892-97) : Sonata-fantasy -- Sonata no. 3 in F-sharp minor, op. 23 (1897-98) -- Sonata no. 4 in F-sharp major, op. 30 (1903) -- Sonata no. 5, op. 53 (1907) -- Sonata no. 6, op. 62 (1911) -- Sonata no. 7, op. 64 (1911) : White Mass -- Sonata no. 8, op. 66 (1912-13) -- Sonata no. 9, op. 68 (1912-13) : Black Mass -- Sonata no. 10, op. 70 (1913).

John Gibson Collection

Author notes provided by Syndetics

Aleksandr Scriabin received his musical education from his aunt. At the age of 12, he began piano lessons. He entered the Moscow Conservatory in 1898 as a student of Safanov. In 1899 Safanov conducted Scriabin's first orchestra piece, Reverie, in Moscow. He also conducted Scriabin's first symphony in 1901. Scriabin was profoundly influenced during his early years by Chopin, Liszt, and Wagner, but he soon developed his own style. Scriabin was a genuine innovator of harmony. (Bowker Author Biography)