Photoshop CS2 : a guide to creative image editing / Mark Galer.
By: Galer, Mark
.
Contributor(s): Andrews, Philip
.
Material type:
BookSeries: Essential skills.Publisher: Oxford : Focal, 2005Description: 384 p. : ill. ; 25 cm.ISBN: 0240520009 .Subject(s): Adobe PhotoshopDDC classification: 006.686 | Item type | Current library | Call number | Copy number | Status | Barcode | |
|---|---|---|---|---|---|---|
| General lending | MTU Bishopstown Library Store | 006.686 (Browse shelf(Opens below)) | 1 | Available | 00106157 | |
| General lending | MTU Bishopstown Library Lending | 006.686 (Browse shelf(Opens below)) | 1 | Available | 00106156 |
Enhanced descriptions from Syndetics:
An inspirational and user-friendly guide to creative image editing, this book provides direction for photographers and designers alike who have ventured into the realm of the 'digital darkroom.' Photoshop CS2: Essential Skills offers a progressive curriculum to guide you through Photoshop with a series of clear, step-by-step projects designed to place knowledge into a practical context. You will build a useful and essential set of skills for creative and professional image editing and, whether you simply want to retouch an image, create a glamour makeover or create a highly sophisticated montage - this book will give you the essential skills to complete the work to a professional standard. The accompanying CD-ROM and website, www.photoshopessentialskills.com, offer additional teaching and learning support materials which form a library of indispensable supporting resources including: All of the images used in the text * Over four hours of QuickTime movie tutorials to support the practical projects * A range of presets (including layer styles, curves, shapes and gradients) * Camera RAW files * Free extra chapters in e-book form.
Foundation module -- Introduction -- The digital darkroom -- Digital basics -- Capture and enhance -- Digital negatives -- Digital printing -- Advanced skills -- Layers and channels -- Selections -- Layer blends -- Filters -- Imaging projects -- Retouching projects -- Toning projects -- Montage projects -- Special effects.
Table of contents provided by Syndetics
- Foundation module
- Introduction (p. X)
- Acquisition of skills (p. x)
- Advanced skills and projects (p. x)
- A structured learning approach (p. xi)
- The skills (p. xi)
- Supporting CD and web site (p. xi)
- Research and resources (p. xi)
- Essential information (p. xii)
- The Digital Darkroom (p. 1)
- Digital setup (p. 2)
- Monitor settings (p. 3)
- Desktop alias or shortcut (p. 5)
- Managing your photos (p. 6)
- Getting started with Photoshop (p. 7)
- Settings and preferences (p. 10)
- Opening images (p. 12)
- Navigation and viewing modes (p. 15)
- Rulers and guides (p. 19)
- Storage for digital photographs (p. 20)
- Mouse or graphics tablet? (p. 22)
- Mac or PC? (p. 22)
- Digital Basics (p. 25)
- Introduction (p. 26)
- Channels and modes (p. 27)
- Levels (p. 28)
- Hue, Saturation and Brightness (p. 29)
- Color and light overview (p. 31)
- Bit depth and mode (p. 34)
- File size (p. 35)
- File formats (p. 36)
- Image compression (p. 39)
- Resolution (p. 42)
- Understanding resolution (p. 43)
- Image size (p. 46)
- Capture and Enhance (p. 53)
- Introduction (p. 54)
- Advantages and disadvantages of 16-bit editing (p. 55)
- Foundations project 1 (p. 56)
- Image capture (p. 56)
- Cropping an image (p. 57)
- Tonal adjustments (p. 59)
- Color adjustments (p. 64)
- Cleaning an image (p. 66)
- Sharpening an image (p. 67)
- Saving a modified file (p. 68)
- Digital Negatives (p. 73)
- Introduction (p. 74)
- Processing RAW data (p. 75)
- RAW processing projects (p. 75)
- White balance (p. 75)
- Tonal adjustments (p. 76)
- Noise reduction and sharpening (p. 79)
- Choosing a bit depth (p. 80)
- Crop and color space (p. 81)
- Additional information (p. 82)
- Digital Printing (p. 87)
- Introduction (p. 88)
- Monitor calibration and working color space (p. 90)
- Pre-flight checklist (p. 91)
- Preparing a test print (p. 92)
- Printer color management (p. 93)
- Adobe color management (p. 95)
- Analyzing the test print (p. 97)
- Maximizing shadow and highlight detail (p. 98)
- Creating a 'ringaround' (p. 99)
- In conclusion (p. 99)
- Printing using a professional laboratory (p. 100)
- Printing monochromes (p. 102)
- Advanced skills
- Layers and Channels (p. 105)
- Introduction (p. 106)
- Layers overview (p. 107)
- Layer types (p. 111)
- Channels (p. 114)
- Adjustment layers and editing quality (p. 116)
- Layer masks and editing adjustments (p. 117)
- Selections (p. 119)
- Introduction (p. 120)
- Selection Tools overview (p. 120)
- Modifying your selections (p. 122)
- Saving and loading selections (p. 124)
- Feather and anti-alias (p. 125)
- Defringe and Matting (p. 126)
- The 'Magic Wand' (p. 127)
- 'Quick Mask' (p. 129)
- 'Color Range' (p. 131)
- Channel masking (p. 133)
- Extract filter (p. 135)
- Selections from paths (p. 138)
- Layer Blends (p. 145)
- Introduction (p. 146)
- The 'Darken' group (p. 148)
- The 'Lighten' group (p. 150)
- The 'Overlay' group (p. 152)
- Blend modes for tinting and toning (p. 154)
- Luminosity (p. 156)
- Difference and Exclusion (p. 157)
- Creating a simple blend (p. 158)
- Filters (p. 161)
- Filtering in Photoshop (p. 162)
- The Filter Gallery (p. 163)
- Fade Filter command (p. 164)
- Improving filter performance (p. 164)
- Installing and using third party filters (p. 165)
- Filtering a shape or text (vector) layer (p. 165)
- The great filter roundup (p. 165)
- Filter DIY (p. 185)
- Imaging projects
- Retouching Projects (p. 187)
- Correcting perspective (p. 188)
- Adjustment layers (p. 191)
- Target tones (p. 193)
- Crop, clean and color-correct (p. 196)
- Shadows and highlights (p. 201)
- Advanced sharpening techniques (p. 206)
- Glamor makeover (p. 213)
- Tonal contraction (p. 221)
- Toning Projects (p. 229)
- Black and white (p. 230)
- Gradient maps (p. 235)
- Cross-process effect (p. 244)
- Lith printing (p. 246)
- Split toning (p. 249)
- Selective toning (p. 251)
- Duotones, tritones and quadtones (p. 252)
- Montage Projects (p. 255)
- Magic Wands and Quick Masks (p. 256)
- Creating a simple blend (p. 264)
- Clipping groups and layer styles (p. 268)
- Advanced blending (p. 273)
- Displacement maps (p. 278)
- Paths and selections (p. 283)
- Extract filter (p. 288)
- Layer comps (p. 296)
- Cast shadows (p. 303)
- Preserving shadows (p. 307)
- Creating a panorama (p. 315)
- Special Effects (p. 323)
- Posterization (p. 324)
- Digital diffusion (p. 329)
- Creative depth of field (p. 335)
- Digital Polaroid transfer effect (p. 340)
- Creative filtering (p. 345)
- Glossary (p. 349)
- Keyboard Shortcuts (p. 359)
- Web Links (p. 361)
- Supporting CD (p. 362)
- CD contents (p. 364)
- CD index (p. 365)
- Index (p. 366)
Author notes provided by Syndetics
Philip Andrews has written extensively on digital photography, traditional photography, & multimedia for many magazines & newspapers, including "Amateur Photographer", "British Journal of Photography", Practical Photography", & "Digital Photo & Design".(Bowker Author Biography)