Hollywood flatlands : animation, critical theory and the avant-garde / Esther Leslie.
By: Leslie, Esther
.
Material type: 
BookPublisher: London : Verso Books, 2004Description: viii, 344 p., [8] p. of plates : ill. (some col.) ; 21 cm. + pbk.ISBN: 9781844675043.Subject(s): Animation (Cinematography)DDC classification: 791.4334
| Item type | Current library | Call number | Copy number | Status | Barcode | |
|---|---|---|---|---|---|---|
| General lending | MTU Crawford College of Art and Design Library Lending | 791.4334 (Browse shelf(Opens below)) | 1 | Available | 00194545 |
Enhanced descriptions from Syndetics:
With ruminations on drawing, colour and caricature, on the political meaning of fairy-tales, talking animals and human beings as machines, Hollywood Flatlands brings to light the links between animation, avant-garde art and modernist criticism.
Focusing on the work of aesthetic and political revolutionaries of the inter-war period, Esther Leslie reveals how the animation of commodities can be studied as a journey into modernity in cinema. She looks afresh at the links between the Soviet Constructivists and the Bauhaus, for instance, and those between Walter Benjamin and cinematic abstraction. She also provides new interpretations of the writings of Siegfried Kracauer on animation, shows how Theodor Adorno's and Max Horkheimer's film viewing affected their intellectual development, and reconsiders Sergei Eisenstein's famous handshake with Mickey Mouse at Disney's Hyperion Studios in 1930.
With ruminations on drawing, colour and caricature, on the political meaning of fairy-tales, talking animals and human beings as machines, Hollywood Flatlands brings to light the links between animation, avant-garde art and modernist criticism. Focusing on the work of aesthetic and political revolutionaries of the inter-war period, Esther Leslie reveals how the animation of commodities can be studied as a journey into modernity in cinema. She looks afresh at the links between the Soviet Constructivists and the Bauhaus, for instance, and those between Walter Benjamin and cinematic abstraction. She also provides new interpretations of the writings of Siegfried Kracauer on animation, shows how Theodor Adorno s and Max Horkheimer s film viewing affected their intellectual development, and reconsiders Sergei Eisenstein s famous handshake with Mickey Mouse at Disney s Hyperion Studios in 1930. (Verso Books)
Includes bibliographical references (p. [331]-337) and index.
Table of contents provided by Syndetics
- Prelude (p. v)
- Preclusion: experi-mental (p. 1)
- Zeros, dots and dashes: drawing and the european avant-garde (p. 33)
- Mickey mouse, utopia and walter benjamin (p. 80)
- Leni and walt: deutsch--amerikanische freundschaft (p. 123)
- Eye-candy and adorno's silly symphonies (p. 158)
- Siegfried kracauer, dumbo and class struggle (p. 200)
- Eisenstein shakes mickey's hand in hollywood (p. 219)
- Techne-colour (p. 251)
- Winding up: a flat ending (p. 289)
- Notes (p. 301)
- Select bibliography (p. 331)
- Acknowledgements (p. 338)
- Index (p. 339)