MTU Library Catalogue

Syndetics cover image
Image from Syndetics

Human anatomy for artists : the elements of form / by Eliot Goldfinger.

By: Goldfinger, Eliot.
Material type: materialTypeLabelBookPublisher: Oxford ; New York : Oxford University Press, 1991Description: xiii, 348 p. : ill. ; 31 cm. + hbk.ISBN: 0195052064.Subject(s): Anatomy, Artistic | Human figure in artDDC classification: 702.8
Contents:
The skeleton -- The joints -- Muscle action at joints -- The muscles: structure, function and form -- Surface structures -- Proportion -- Mass conceptions of the figure -- Mass conceptions of the head -- Mass conceptions of the hand.

Enhanced descriptions from Syndetics:

The power of the image of the nude--the expressivity of the flesh--has inspired artists from the beginning. An understanding of human form is essential for artists to be able to express themselves with the figure. Anatomy makes the figure. Human Anatomy for Artists: The Elements of Form is the definitive analytical work on the anatomy of the human figure. No longer will working artists have to search high and low to find the information they need. In this, the most up-to-date and fully illustrated guide available, Eliot Goldfinger--sculptor, illustrator, scientific model-maker, and lecturer on anatomy--presents a single, all-inclusive reference to human form, capturing everything artists need in one convenient volume. Five years in the making, and featuring hundreds of photos and illustrations, this guide offers more views of each bone and muscle than any other book ever published: every structure that creates or influences surface form is individually illustrated in clear, carefully lit photographs and meticulous drawings. Informed by the detailed study of both live models and cadavers, it includes numerous unique presentations of surface structures--such as fat pads, veins, and genitalia--and of some muscles never before photographed. In addition, numerous cross sections, made with reference to CT scans, magnetic resonance imaging, and cut cadavers, trace the forms of all body regions and individual muscles. Information on each structure is placed on facing pages for ease of reference, and the attractive two-color format uses red ink to direct readers rapidly to important points and areas. Finally, an invaluable chapter on the artistic development of basic forms shows in a series of sculptures the evolution of the figure, head, and hands from basic axes and volumes to more complex organic shapes. This feature helps place the details of anatomy within the overall context of the figure. Certain to become the standard reference in the field, Human Anatomy for Artists will be indispensable to artists and art students, as well as art historians. It will also be a useful aid for physical and dance therapists, athletes and their trainers, bodybuilders, and anyone concerned with the external form of the human body. With the renewed interest in figurative art today, this will be an especially welcome volume.

Bibliography: (pages 333-337) and index.

The skeleton -- The joints -- Muscle action at joints -- The muscles: structure, function and form -- Surface structures -- Proportion -- Mass conceptions of the figure -- Mass conceptions of the head -- Mass conceptions of the hand.

Table of contents provided by Syndetics

  • Introduction
  • Skeleton
  • Muscles
  • Surface Structures
  • Proportion
  • Mass Conceptions/Geometry
  • Bibliography
  • Index

Reviews provided by Syndetics

CHOICE Review

This beautifully done book, five years in the making, is the accomplishment of the renowned sculptor Eliot Goldfinger, who has taught human anatomy at the New York Academy of Art, among other activities. He acknowledges the help of artists, anatomists, and others in the making of this contemporary approach to his subject. It is well organized, with balance between the narratives (which have terms in bold print) and the illustrations. Instructors will appreciate the precise terminology in the narratives; students will focus on visuals. Two-color, labeled sketches vary in view and pose and move from simple to complex. Photographs complete the visual experiences; skeleton, joints, and muscles are included. Surface structure (fat, breasts, genitals, veins, etc.), proportion, and mass impact visually. Balancing these particulars of the book are sections on mass, which have computer graphics for emphasizing geometric form. By contrast, Jack Kramer's Human Anatomy & Figure Drawing (CH, Mar'73) analyzes master drawings, mainly of the Italian Renaissance, an approach different from Goldfinger's. Goldfinger states in his introduction that information has been "oriented toward the classic or ideal adult male configuration. Texture and minute detail have been avoided in favor of strong, clear form." Goldfinger's anatomical art book is highly recommended for addition to the circulating art collections of academic libraries.-T. C. Trawick, Troy State University

Author notes provided by Syndetics

Eliot Goldfinger, a renowned sculptor and illustrator, developed the anatomy program at The New York Academy of Art and has been an instructor at The Art Student's League in New York City.