At work with Grotowski on physical actions / Thomas Richards ; with a preface and the essay "From the theatre company to art as vehicle" by Jerzy Grotowski.
By: Richards, Thomas
.
Contributor(s): Grotowski, Jerzy.
Material type:
BookSeries: Al lavoro con Grotowski sulle azioni fisiche.Publisher: London ; New York : Routledge, 1995Description: 135 p. ; 23 cm.ISBN: 0415124913 (hbk); 0415124921 (pbk).Subject(s): Grotowski, Jerzy, 1933-1999 | Theater | Theatrical producers and directorsDDC classification: 792.01
| Item type | Current library | Call number | Copy number | Status | Barcode | |
|---|---|---|---|---|---|---|
| General lending | MTU Cork School of Music Library Lending | 792.01 (Browse shelf(Opens below)) | 1 | Available | 00164627 |
Enhanced descriptions from Syndetics:
`I consider this book a precious report that permits one to assimilate some of those simple and basic principles which the self-taught at times come to know, yet only after years of groping and errors. The book furnishes information regarding discoveries which the actor can understand in practice, without having to start each time from zero. Thomas Richards has worked with me systematically since 1985. Today he is my essential collaborator in the research dedicated to Art as Vehicle.' - from the Preface by Jerzy Grotowski
Includes bibliographical references.
Table of contents provided by Syndetics
- Preface (p. viii)
- At Work with Grotowski on Physical Actions (p. 1)
- Stanislavski and Grotowski: the Connection (p. 3)
- Ryszard Cieslak at Yale (p. 9)
- The Workshop at the Objective Drama Program (p. 19)
- In New York (p. 25)
- Grotowski Speaks at Hunter College (p. 29)
- The Work at Botinaccio: an Attack on Dilettantism (p. 33)
- One Year with Grotowski in Objective Drama (p. 49)
- At the Workcenter of Jerzy Grotowski (p. 71)
- Beginning Stages (p. 83)
- Grotowski Vs. Stanislavski: the Impulses (p. 93)
- Realistic Actions in Everyday Life (p. 101)
- Conclusion: On "Realistic" Actions (p. 105)
- Notes (p. 109)
- Quoted Texts (p. 111)
- From the Theatre Company to Art as Vehicle (p. 113)