MTU Library Catalogue

Syndetics cover image
Image from Syndetics

Dance / edited by André Lepecki.

Contributor(s): Lepecki, André [editor of compilation.].
Material type: materialTypeLabelBookSeries: Documents of contemporary art series: Publisher: London : Cambridge, MA : Whitechapel Gallery ; MIT Press, 2012Description: 238 pages : illustrations ; 21 cm.Content type: text Media type: unmediated Carrier type: volumeISBN: 9780262517775 (pbk. : alk. paper).Subject(s): Art and dance | Dance | Modern dance | Choreography | Movement, Aesthetics ofDDC classification: 792.8
Contents:
Introduction -- A Choreographic Turn 1952-65 -- Positioning Dance/Theorizing Movement -- Practices of Embodiment -- Choreopolitics -- Dancing in an Expanded Field: Image/Object/Score.
Summary: Dance surveys the choreographic turn in the artistic imagination from the 1950s onwards, and in doing so outlines the philosophies of movement instrumental to the development of experimental dance. By introducing and discussing the concepts of embodiment and corporeality, choreopolitics, and the notion of dance in an expanded field, Dance establishes the aesthetics and politics of dance as a major impetus in contemporary culture. It offers testimonies and writings by influential visual artists whose work has taken inspiration from dance and choreography. Dance because of its ephemerality, corporeality, precariousness, scoring, and performativity is arguably the art form that most clearly engages the politics of aesthetics in contemporary culture. Dance s ephemerality suggests the possibility of an escape from the regimes of commodification and fetishization in the arts. Its corporeality can embody critiques of representation inscribed in bodies and subjects. Its precariousness underlines the fragility of contemporary states of being. Scoring links it with conceptual art, as language becomes the articulator for possible as well as impossible modes of action. Finally, because dance always establishes a contract, or promise, between its choreographic planning and its actualization in movement, it reveals an essential performativity in its aesthetic project a central concern for both art and critical thought in our time. Artists and choreographers surveyed include Marina Abramovic, Pina Bausch, Jérôme Bel, Seydou Boro, Trisha Brown, Rosemary Butcher, John Cage, Boris Charmatz, Ananya Chatterjea, Merce Cunningham, João Fiadeiro, William Forsythe, Simone Forti, Bruno Freire, Anna Halprin, Deborah Hay, Tatsumi Hijikata, Ishmael Houston-Jones, Mette Ingvartsen, Joan Jonas, Akira Kasai, Pichet Klunchun, Ralph Lemon, Xavier Le Roy, Babette Mangolte, Vera Mantero, Mathilde Monnier, Robert Morris, Bruce Nauman, Hélio Oiticica, Lygia Pape, Steve Paxton, Adrian Piper, Yvonne Rainer, Robert Rauschenberg, La Ribot, Lia Rodrigues, Hooman Sharifi and Meg Stuart. Writers include Giorgio Agamben, Bruce Altshuler, Charles Atlas, Sally Banes, Nicholas Birns, Terry Brennan, Barbara Browning, Jonathan Burrows, Mary Connolly, Bojana Cvejic, Arlene Croce, Gilles Deleuze, Kattrin Deufert, DD Dorvillier, Douglas Dunn, Eiko & Koma, Tim Etchells, Jan Fabre, Matteo Fargion, Peter Eleey, Tim Etchells, Susan Foster, Sondra Fraleigh, Mark Franko, Adrian Heathfield, Graley Herren, Andrew Hewitt, Bill T. Jones, Jeff Kelley, Rosalind E. Krauss, Bojana Kunst, Henri Lefebvre, Boyan Manchev, Jean-Luc Nancy, Tamah Nakamura, Lloyd Newson, Yoko Ono, Halifu Osumare, Jeroen Peeters, Thomas Plischke, Yvonne Rainer, Richard Serra, Gerald Siegmund, Mårten Spångberg, Luc Van den Dries, Myriam Van Imschoot and Pascale Weber.
Fiction notes: Click to open in new window
Holdings
Item type Current library Call number Copy number Status Barcode
General lending MTU Crawford College of Art and Design Library Lending 792.8 (Browse shelf(Opens below)) 1 Available 00196204
Total holds: 0

Enhanced descriptions from Syndetics:

Dance's galvanizing and transformative presence in art and theory over the last decade becomes part of a broader investigation of its dialogue with modernism's legacies.

This collection surveys the choreographic turn in the artistic imagination from the 1950s onwards, and in doing so outlines the philosophies of movement instrumental to the development of experimental dance. By introducing and discussing the concepts of embodiment and corporeality, choreopolitics, and the notion of dance in an expanded field, Dance establishes the aesthetics and politics of dance as a major impetus in contemporary culture. It offers testimonies and writings by influential visual artists whose work has taken inspiration from dance and choreography.

Dance--because of its ephemerality, corporeality, precariousness, scoring, and performativity--is arguably the art form that most clearly engages the politics of aesthetics in contemporary culture. Dance's ephemerality suggests the possibility of an escape from the regimes of commodification and fetishization in the arts. Its corporeality can embody critiques of representation inscribed in bodies and subjects. Its precariousness underlines the fragility of contemporary states of being. Scoring links it with conceptual art, as language becomes the articulator for possible as well as impossible modes of action. Finally, because dance always establishes a contract, or promise, between its choreographic planning and its actualization in movement, it reveals an essential performativity in its aesthetic project--a central concern for both art and critical thought in our time.

This title is published in collaboration with Sadler's Wells, London.

Includes bibliographical references (p. 226-231) and index.

Introduction -- A Choreographic Turn 1952-65 -- Positioning Dance/Theorizing Movement -- Practices of Embodiment -- Choreopolitics -- Dancing in an Expanded Field: Image/Object/Score.

Dance surveys the choreographic turn in the artistic imagination from the 1950s onwards, and in doing so outlines the philosophies of movement instrumental to the development of experimental dance. By introducing and discussing the concepts of embodiment and corporeality, choreopolitics, and the notion of dance in an expanded field, Dance establishes the aesthetics and politics of dance as a major impetus in contemporary culture. It offers testimonies and writings by influential visual artists whose work has taken inspiration from dance and choreography. Dance because of its ephemerality, corporeality, precariousness, scoring, and performativity is arguably the art form that most clearly engages the politics of aesthetics in contemporary culture. Dance s ephemerality suggests the possibility of an escape from the regimes of commodification and fetishization in the arts. Its corporeality can embody critiques of representation inscribed in bodies and subjects. Its precariousness underlines the fragility of contemporary states of being. Scoring links it with conceptual art, as language becomes the articulator for possible as well as impossible modes of action. Finally, because dance always establishes a contract, or promise, between its choreographic planning and its actualization in movement, it reveals an essential performativity in its aesthetic project a central concern for both art and critical thought in our time. Artists and choreographers surveyed include Marina Abramovic, Pina Bausch, Jérôme Bel, Seydou Boro, Trisha Brown, Rosemary Butcher, John Cage, Boris Charmatz, Ananya Chatterjea, Merce Cunningham, João Fiadeiro, William Forsythe, Simone Forti, Bruno Freire, Anna Halprin, Deborah Hay, Tatsumi Hijikata, Ishmael Houston-Jones, Mette Ingvartsen, Joan Jonas, Akira Kasai, Pichet Klunchun, Ralph Lemon, Xavier Le Roy, Babette Mangolte, Vera Mantero, Mathilde Monnier, Robert Morris, Bruce Nauman, Hélio Oiticica, Lygia Pape, Steve Paxton, Adrian Piper, Yvonne Rainer, Robert Rauschenberg, La Ribot, Lia Rodrigues, Hooman Sharifi and Meg Stuart. Writers include Giorgio Agamben, Bruce Altshuler, Charles Atlas, Sally Banes, Nicholas Birns, Terry Brennan, Barbara Browning, Jonathan Burrows, Mary Connolly, Bojana Cvejic, Arlene Croce, Gilles Deleuze, Kattrin Deufert, DD Dorvillier, Douglas Dunn, Eiko & Koma, Tim Etchells, Jan Fabre, Matteo Fargion, Peter Eleey, Tim Etchells, Susan Foster, Sondra Fraleigh, Mark Franko, Adrian Heathfield, Graley Herren, Andrew Hewitt, Bill T. Jones, Jeff Kelley, Rosalind E. Krauss, Bojana Kunst, Henri Lefebvre, Boyan Manchev, Jean-Luc Nancy, Tamah Nakamura, Lloyd Newson, Yoko Ono, Halifu Osumare, Jeroen Peeters, Thomas Plischke, Yvonne Rainer, Richard Serra, Gerald Siegmund, Mårten Spångberg, Luc Van den Dries, Myriam Van Imschoot and Pascale Weber.

Reviews provided by Syndetics

Publishers Weekly Review

In her new collection, NYU associate professor of performance studies Lepecki begins by noting that while dance has consolidated its themes and forms with other art forms, it remains overlooked in critical and theoretical art discourse. Lepecki captures international texts from the early 1950s through 2011, written by dancers, choreographers, and their collaborators, to explore the evolution and concerns of contemporary dance. Although much thematic overlap exists in the content, the documents are organized into five sections, to focus on choreographic shifts, movement theorizing, practices of embodiment, chorepolitics, and context and score. Conversations with groundbreaking artists, such as Pina Bausch, Bill T. Jones, and Eiko & Koma, reveal insights into individual process, and are collected along with tersely written damce scemarops and commentary. Short essays, from choreographers including William Forsythe and Boris Charmatz, question the very semantics referenced throughout the text ("Choreography is a curious and deceptive term," writes Forsythe). This variation in approach from humorous and cynical to conceptual and righteous and abstract, strengthens the collection. As he states in the introduction, Lepecki is trying to diminish misperceptions of dance and dance-makers "as non-verbal artists creating a supposedly 'visceral' art whose sole purpose is to move gracefully, flawlessly, to the sound of music.." His editorial choices help both to ground and to elevate the dialogue. (Sept.) © Copyright PWxyz, LLC. All rights reserved.

Author notes provided by Syndetics

André Lepecki is Associate Professor at the Department of Performance Studies at New York University. He is the author of Exhausting Dance: Performance and Politics of Movement (2006) and a regular contributor to Performance Research, Drama Review, Artforum, Nouvelles de Danse , and other publications in Europe, Brazil, and the Middle East