Excerpt provided by Syndetics

When Nietzsche Wept A Novel of Obsession Chapter One The chimes of san salvatore broke into Josef Breuer's reverie. He tugged his heavy gold watch from his waistcoat pocket. Nine o'clock. Once again, he read the small silver-bordered card he had received the day before. 21 October 1882 Doctor Breuer, I must see you on a matter of great urgency. The future of German philosophy hangs in the balance. Meet me at nine tomorrow morning at the Café Sorrento. Lou Salomé An impertinent note! No one had addressed him so brashly in years. He knew of no Lou Salomé. No address on the envelope. No way to tell this person that nine o'clock was not convenient, that Frau Breuer would not be pleased to breakfast alone, that Dr. Breuer was on vacation, and that "matters of urgency" had no interest for him -- indeed, that Dr. Breuer had come to Venice precisely to get away from matters of urgency. Yet here he was, at the Café Sorrento, at nine o'clock, scanning the faces around him, wondering which one might be the impertinent Lou Salomé. "More coffee, sir?" Breuer nodded to the waiter, a lad of thirteen or fourteen with wet black hair brushed sleekly back. How long had he been daydreaming? He looked again at his watch. Another ten minutes of life squandered. And squandered on what? As usual he had been daydreaming about Bertha, beautiful Bertha, his patient for the past two years. He had been recalling her teasing voice: "Doctor Breuer, why are you so afraid of me?" He had been remembering her words when he told her that he would no longer be her doctor: "I will wait. You will always be the only man in my life." He berated himse1f. "For God's sake, stop! Stop thinking! Open your eyes! Look! Let the world in!" Breuer lifted his cup, inhaling the aroma of rich coffee along with deep breaths of cold Venetian October air. He turned his head and looked about. The other tables of the Café Sorrento were filled with breakfasting men and women -- mostly tourists and mostly elderly. Several held newspapers in one hand and coffee cups in the other. Beyond the tables, steel-blue clouds of pigeons hovered and swooped. The still waters of the Grand Canal, shimmering with the reflections of the great palaces lining its banks, were disturbed only by the undulating wake of a coasting gondola. Other gondolas still slept, moored to twisted poles which lay askew in the canal, like spears flung down haphazardly by some giant hand. "Yes, that's right -- look about you, you fool!" Breuer said to himself. "People come from all over the world to see Venice -- people who refuse to die before they are blessed by this beauty." How much of life have I missed, he wondered, simply by failing to look? Or by looking and not seeing? Yesterday he had taken a solitary walk around the island of Murano and, at an hour's end, had seen nothing", registered nothing. No images had transferred from his retina to his cortex. All his attention had been consumed with thoughts of Bertha: her beguiling smile, her adoring eyes, the feel of her warm, trusting body and her rapid breathing as he examined or massaged her. Such scenes had power -- a life of their own; whenever he was off guard, they invaded his mind and usurped his imagination. Is this to be my lot forever? he wondered. Am I destined to be merely a stage on which memories of Bertha eternally play out their drama? Someone rose at the adjoining table. The shrill scrape of the metal chair against the brick roused him, and once again he searched for Lou Salomé. There she was! The woman walking down the Riva del Carbon, entering the café. Only she could have written that note -- that handsome woman, tall and slim, wrapped in fur, striding imperiously toward him now through the maze of tight-packed tables. And as she neared, Breuer saw that she was young, perhaps even younger than Bertha, possibly a schoolgirl. But that commanding presence -- extraordinary! It would carry her far! Lou Salomé continued toward him with no trace of hesitation. How could she be so sure it was he? His left hand quickly stroked the reddish bristles of his beard lest bits of breakfast roll still clung there. His right hand pulled down the side of his black jacket so that it didn't hunch up around his neck. When she was only a few feet away, she stopped for an instant and gazed boldly into his eyes. Suddenly Breuer's mind ceased its chattering. Now looking required no concentration. Now retina and cortex cooperated perfectly, allowing the image of Lou Salomé to pour freely into his mind. She was a woman of uncommon beauty: powerful forehead, strong, sculpted chin, bright blue eyes, full and sensuous lips, and carelessly brushed silver-blond hair gathered lackadaisically in a high bun, exposing her ears and her long, graceful neck. He noticed with particular pleasure the wisps of hair that had escaped the gathering bun and stretched out recklessly in every direction. In three more strides, she was at his table. "Doctor Breuer, I am Lou Salomé. May I?" -- gesturing toward the chair. She sat down so quickly that Breuer had no time to offer her a proper greeting -- to rise, to bow, to kiss her hand, to pull out her chair. "Waiter! Waiter!" Breuer snapped his fingers crisply. "A coffee for the lady. Café latte?" He glanced toward Fräulein Salomé. She nodded and, despite the morning chill, removed her fur wrap. "Yes, a Café latte." Breuer and his guest sat silent for a moment. Then Lou Salomé looked directly into his eyes and began: "I have a friend in despair. I'm afraid he'll kill himself in the very near future. It would be a great loss for me, and a great personal tragedy because I would bear some responsibility ... " When Nietzsche Wept A Novel of Obsession . Copyright © by Irvin D. Yalom. Reprinted by permission of HarperCollins Publishers, Inc. All rights reserved. Available now wherever books are sold. Excerpted from When Nietzsche Wept: A Novel of Obsession by Irvin D. Yalom All rights reserved by the original copyright owners. Excerpts are provided for display purposes only and may not be reproduced, reprinted or distributed without the written permission of the publisher.

Reviews provided by Syndetics

Publishers Weekly Review

This talky first novel by psychotherapist Yalom ( Love's Executioner ) is set in 1882 Vienna, where Joseph Breuer, an eminent physician and mentor of Sigmund Freud, has applied his recently discovered talking cure to a woman afflicted with multiple symptoms of hysteria. But now it is Breuer who needs help, for he has become obsessed with the beautiful Anna O. although she is no longer his patient. On vacation in Venice, he is asked by Lou Salome, an imperious Russian woman, to treat German philosopher Friedrich Nietzsche, who has threatened suicide because of her rejection. Nietzsche consults Breuer in Vienna and, after a series of subtle subterfuges, agrees to a month of daily meetings; Breuer's plan is to employ the talking cure on the bristling Nietzsche under the guise of getting the philosopher to help him with his own obsession and related depression. In this intelligent, fully imagined tale, Yalom accurately evokes the encapsulated world of Breuer and Nietzsche's sessions as well as the social and intellectual milieu of the period, but the narrative is constrained by too much telling (``Perhaps dreams can express either wishes or fears,'' Freud observes in a discussion with Breuer)--at the expense of showing--and a manipulated, unconvincing resolution. Major ad/promo; author tour. (Aug.) (c) Copyright PWxyz, LLC. All rights reserved

Booklist Review

Nietzsche would not have liked this novel. As a despiser of sentimentality, he would have found its optimistic psychologizing execrable. As an acute judge of art, he would have found its author's shallow talent disgusting. But, as things go, it really isn't so bad. Yalom is a professor of psychiatry (Love's Executioner), not a novelist, and in a paradox still underappreciated and perhaps not yet understood, the descendants of Freud have all become remarkably optimistic. Why, precisely, Yalom decided to write a novel about a rather implausible and unhistorical meeting between Nietzsche and Josef Breuer (coauthor, with Freud, of the book that launched the psychoanalytical revolution) is, admittedly, a little hard to fathom; nonetheless, if one is interested in Nietzsche or psychoanalysis even slightly, the novel is more than a little engaging. The plot is simple: Breuer, undergoing what we all-too-casually call a "midlife crisis," tries to "cure" Nietzsche of his nihilism and ends up psychoanalyzing himself in order to help his patient. Yalom knows something about complex psyches and, of course, history, and though this book is not as profound as it might have been, for the intelligent and curious student of human nature, it is diverting and occasionally insightful. ~--Stuart Whitwell

Kirkus Book Review

Freud's mentor, Josef Breuer, attempts to cure Friedrich Nietzsche of suicidal despair in the clinics, cemeteries, and coffeehouses of 19th-century Vienna--in this first novel by the author of the bestselling Love's Executioner: an entertaining and highly original tale of an uncompromising friendship between two brilliant men. Distinguished physician, renowned scientist, beloved husband and father, Josef Breuer finds himself at 40 simultaneously at the crest of his professional life and near the bottom of a pit of incomprehensible despair. Cursed with nightmares, insomnia, and obsessive sexual fantasies of his former patient, Anna O. (whom he cured, miraculously if temporarily, through a new technique called ``talk therapy''), Breuer welcomes the distraction when the imperious future psychoanalyst Lou Salomé demands that he use talk therapy to cure the suicidal depression of her friend, Friedrich Nietzsche. Because the poverty-ridden, unknown philosopher is too proud to accept spiritual help from anyone, Breuer must somehow cure the younger man without his knowledge--but the physician welcomes the challenge, and soon solves it by posing as the patient himself and begging Nietzsche's help in relieving his own existential pain. Unable to refuse, dour Nietzsche agrees to embark on a month of daily ``talks'' with the physician. The ensuing dialogue between a man of the world and an unworldly man becomes increasingly compelling as first Breuer, then Nietzsche, uncovers his forgotten past and delves deep into his own and the other's unconscious desires and fears. Throughout, Yalom's evocation of Breuer imprisoned in a classic midlife crisis, Nietzsche stymied by his own pride, loneliness, and terror, Lou Salomé cracking her feminist whip, and young Sigmund Freud eagerly following each conversation's twists and turns make for a stimulating dip into the pools of 19th-century philosophy, psychology, and culture. A delectable fantasy--in which the sole disappointment is that it didn't actually occur.

Author notes provided by Syndetics

Irvin D. Yalom was born in Washington, D.C. on June 13, 1931, of parents who immigrated from Russia shortly after World War I. Yalom entered into medical school intent on studying the field of psychiatry. His first writings were scientific contributions to professional journals. His first book, "The Theory and Practice of Group Psychotherapy" was widely used as a text for training therapists. It has been translated into twelve languages and spawned four editions.

"Existential Psychotherapy" followed, which was a textbook for a course that did not exist at the time, and then "Inpatient Group Psychotherapy," a guide to leading groups in the inpatient psychiatric ward. In an effort to teach aspects of Existential Therapy, Yalom turned to a literary conveyance and wrote a book of therapy tales called "Love's Executioner", two teaching novels, "When Nietzsche Wept" and "Lying on the Couch" and, "Momma and the Meaning of Life," a collection of true and fictionalized tales of therapy.

These books went on to be best sellers, and "When Nietzsche Wept" won the Commonwealth Gold Medal for best fiction of 1993. They have been widely translated,each into about fifteen to twenty languages, and have had considerable distribution abroad.

(Bowker Author Biography)